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...musical term) was created for him. The two have riaen and faded together. Hendrix was never flash because he had a certain lyrical as well as musical genius. His genius aside. Clapton was too humble to be flash. Alice Cooper and Ian Anderson? Theatrics. David Bowie and Rod Stewart? Rock star trips. Steve Marriott? Punk arrogance, and Peter Townshend, for all his onstage pyrotechnics, has been sneaky serious ever since perfect placement of that primal teenage stutter on "My Generation...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

...interested in Hendrix's wall of sound, or Clapton's trio virtuosity. Again, Beck is primarily interested in hearing himself play. In fact, my theory is that he tends to surround himself with relative mediocrities just in order to emphasize his own talents. Bogart and Appice are perfect examples: Rod Stewart and Ron Wood were not. His songs are thus simplistic, riff-oriented, and written with spaces only Jeff can fill...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

...didn't miss Rod Stewart until "Morning Dew," in which Carmine Appice proved his voice was only ordinary. Again the guitar brought the song off. Beck's solo explored the variations on one lick, after exploring several angles of single notes to discover that lick. The vocals on "Plynth (Water Down the Drain)" were ordinary--the vocal harmonies much tastier than the vocal leads. Beck dropped a cello styled chord into the middle of a solo, and took the band into "Shotgun," his only in concert thank you to Motown. It was cursory, out of place and served primarily...

Author: By Frederick Boyd, | Title: Fudge Meets Flash | 11/2/1972 | See Source »

...Rod Stewart is one of the two or three finest and most popular of the current crop of English pop composer-singers, a wise, witty, upbeat force who neatly counterpoints Mick Jagger's pervading and well-publicized sympathy for the devil. As a soloist, Stewart displays one of those rare voices-a raspy, surcharged cross between Joe Cocker and Rod McKuen-that is instantly recognizable and that can draw all sorts of emotional magic from his own songs (Maggie May, Every Picture Tells a Story) as well as standards by Dylan (Only a Hobo) and Elton John (Country Comfort...

Author: /time Magazine | Title: Music: Vaudeville Rock | 10/30/1972 | See Source »

This year, Yovicsin is planning strategy for the intramural athletic program, my girl friend dumped me. Rod Foster is a fourth string fullback, End Zone Crone is at quarterback, and I can't figure out Restic's plays, much less predict them. It's in the stars Harvard...

Author: By Evan W. Thomas, | Title: On the Bench | 10/28/1972 | See Source »

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