Word: rodeos
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Dates: during 1980-1989
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...there the unspeakable vodka martini, but also a Cajun version, made with peppered vodka over crushed jalapenos; a red martini, colored with Campari; and a Japanese variation combining vodka and sake. Even the sacred, salty olive has been replaced by bacon bits and midget corncobs. Can martini bars on Rodeo Drive be far behind...
...value of Christmas sales will wind up 2% to 5% higher than 1986 levels. Because inflation was an estimated 4% to 5% in 1987, sales volume was thus essentially flat. Many stores did well, but it generally took steep discounting to entice shoppers to buy. Even on Beverly Hills' Rodeo Drive, signs proclaimed price cuts of up to 50%. Says Faye Ahrabi, assistant manager of the Chatelaine boutique on Rodeo: "If you didn't have a sale, you didn't make money." The situation is unlikely to improve soon. Says Bernard Brennan, president of the 315-store Montgomery Ward chain...
...Beverly Hills have ever known was the time a bum showed up at the posh home of a local manufacturing executive. And that was just a movie, Down and Out in Beverly Hills. But last week the U.S. Department of Housing and Urban Development stunned everyone on glitzy Rodeo Drive by placing Beverly Hills on a list of 10,000 economically "distressed" cities. As such, the home of the stars, where the average household has an annual income of $41,000 and many residents make a hundred times that amount, technically qualifies for $56 million in special federal grants...
Pursel charges customers an average of $700 a year, and he has quite a few customers. "Lazaris is so popular," he says, "that, yeah, a lot of money gets made." But Pursel makes his real money as an art dealer and is opening a second gallery, on Rodeo Drive in Beverly Hills. As for channeling, "it's not a business; it's a labor of love." He adds a dark warning that others are less worthy. "There's some loony tunes out there," he says...
...Grooms' exuberance there is no doubt. Not for nothing does he favor the rowdy epithet ruckus in collectively naming his pieces: Ruckus Manhattan, Ruckus Rodeo. His tableaux fairly burst with riotous energy. In them, Jean Dubuffet's idea of making an art raw enough to stand up to the chaos of the street comes home to roost. Every Grooms surface pullulates with caricatural figures, each impacted with manic cartoony verve, rendered as layered plywood cutouts, as silhouettes, as stuffed dolls, as shadows. The detail is never hard to read, and one does not get lost in it, because Grooms sticks...