Word: rodeos
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Dates: during 1980-1989
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Sean Marsee was just twelve years old when he picked up some free samples of Skoal and Copenhagen tobacco at a local rodeo. Dipping snuff was a popular habit at his school, especially among the athletes. And Marsee, a budding track star, quickly grew accustomed to the feel of a juicy wad in his mouth and the slight head buzz that goes with it. By the time he entered high school, he was dipping his way through seven to ten cans a week. Then in 1983, his senior year, Marsee developed a painful sore on his tongue. It refused...
...narrative actually sets off. Doc has abandoned touring and Blackie to seek greater song-writing profits. But stuck in considerable debt and creatively bankrupt--he has unwittingly sold the rights to his songs--Doc must adopt a tough counter-strategy against the unsavory tactics of Nashville music manager Rodeo Rocky (Richard Sarafian). After an implausibly easy arson job, he takes off to Austin to form his own record label and write songs under other people's names...
...district, was donating 35,000 roach traps to combat the problem. Conte, a 26-year veteran of the Hill, is something of an expert on all sorts of pests. Says he: "I've seen the beady-eyed Midwestern cockroach, the pesky little New England cockroach as well as the rodeo cockroach, usually found only west of the Mississippi...
...innocence shading into culpability, are Hitchcockian. But John Landis' film is not a genre genuflection; it is a thoroughly modern, satanically entertaining night flight into the Zeitgeist city of the 1980s. This Los Angeles is a kingdom of chic sleaze, where every black soul gleams like Bakelite. In the Rodeo Drive boutiques, Iranian thugs and their bimbos are served champagne and caviar. Diana's brother (Bruce McGill) dresses himself and his apartment in Elvis memorabilia and drives a white Caddy bearing the legend THE KING LIVES. A shabby-genteel Brit (David Bowie) eases his gun into Ed's mouth...
...every three box-office dollars came from moviegoers paying to see Eddie Murphy. And only Eddie. In Beverly Hills Cop there is no romantic interest, no high-voltage partner, no hairpin twist of plot. This is a no-frills star vehicle, with Murphy as a Detroit police detective scouring Rodeo Drive for clues to the murder of a friend back home. The film's only function is to provide Murphy with the opportunity to work a dozen or so variations on his familiar and oddly endearing routine: top Whitey. All of white America is a classroom for Fast Eddie...