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Word: rodgerses (lookup in dictionary) (lookup stats)
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At 41, Sondheim is a spent youth. The son of a wealthy New York dress manufacturer, he literally learned his first lessons in the craft of songwriting at the feet of an old family friend, Oscar Hammerstein II. Stephen was then eleven; Oscar thought his first pubescent musical "terrible?although...

Author: /time Magazine | Title: Show Business: The Once and Future Follies | 5/3/1971 | See Source »

ON OSCAR HAMMERSTEIN II. Oscar taught me that a song should be like a little one-act play, with an exposition, a development and a conclusion; at the end of the song the character should have moved to a different position from where he was emotionally at the beginning. This...

Author: /time Magazine | Title: Show Business: Sondheim on Songwriting | 5/3/1971 | See Source »

The songs, all but two of which are originals, remain interesting and pleasurable, despite being built on very conventional forms, in both music and lyrics. There are country ballads, like "Waiting for a Train," the Jimmie Rodgers classic, and "Now You're Gone," which Tracy Nelson previously recorded on her...

Author: By Andy Klein, | Title: Obscure Vinyl Some Nice Records | 3/9/1971 | See Source »

My mother, cousin, aunts and uncles were all outside now. Sid Lotenberg, in shiny tuxedo, and my mother, in a long dress, danced around the pool. He sang an old Rodgers and Hart song, "Isn't it Romantic?," as they performed what seemed a fine imitatation of Fred Astaire and...

Author: By Frank Rich, | Title: NOTES ON A CELEBRATIONMoon Over Miami | 12/9/1970 | See Source »

Lacking the audacity to represent a naive childlike purity of faith, and incapable of the sophisticated myth-mocking irony of an Anouilh or a Giraudoux, Peter Stone rests his book, derived from Clifford Odets' The Flowering Peach, on the pitiably thin humor of anachronism. Except for one beguiling ballad...

Author: /time Magazine | Title: Theater: Genesis Nemesis | 11/23/1970 | See Source »

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