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...catalog is somewhat hyperbolic--at one point Schimmel actually manages to compare a sculpture of eight naked effigies of Ray sprawling around in a masturbatory group grope to Rodin's Burghers of Calais--but Ray comes out of this show looking clever and sometimes more than that. His sculpture Fall '91, 1992, is a figure of a woman, 8 ft. high, in a red suit, done with slightly more detail and verisimilitude than a window dummy but with much less than complete lifelikeness. Its effect is to wrench your sense of scale out of kilter: far away, with no real...

Author: /time Magazine | Title: Art: Sculptural One-Liners | 6/29/1998 | See Source »

...tape recorder was unveiled in 1900 at the Paris Exposition, to which visitors flocked to be scandalized by Rodin's non-Victorian statues, and Kodak introduced the Brownie camera, an apt symbol of a century in which technology would at first seem magical, then become simple, cheap and personal. The Scholastic Aptitude Test was born that year, permitting a power shift from an aristocracy to a meritocracy. The Wright brothers went to Kitty Hawk to try out their gliders. Lenin, 30, published his first newspaper calling for revolution in Russia. Churchill, 25, was elected to the House of Commons...

Author: /time Magazine | Title: Our Century...And The Next One | 4/13/1998 | See Source »

Hulking and knob-muscled, Depardieu farts, belches and wenches his way through his role as the aging musketeer Porthos. He pronounces the word nipple as "neeple." He is a figure of masculinity not so much past its prime as grotesque and overripened, the kind of colossus Rodin might have come up with if he worked in old Camembert instead of bronze. In short, Depardieu is just the kind of male to frighten an adolescent girl off the gender altogether. In this filmic universe he is the anti...

Author: /time Magazine | Title: Deconstructing Leo | 3/30/1998 | See Source »

Worse, still, than losing a lover is losing a muse. Gently, lovingly, at other times with parasitic intention or vampiric intensity, men have turned to women for inspiration. F. Scott Fitzgerald had Zelda, Rodin had Camille Claudel, Picasso had a distaff palette; and Bob Dylan, one of the most intriguing, important, irascible figures in rock, had whom? On Time Out of Mind, his first CD of new, self-penned material in seven years and his most consistently rewarding album since the '70s, Dylan seems to be haunted by an imaginary, unnamed muse who has come and gone, leaving him loveless...

Author: /time Magazine | Title: MUSIC: DYLAN'S LOST HIGHWAY | 9/29/1997 | See Source »

Penn too has begun drawing in its belt. Rodin says she hopes to cut as much as $50 million from the school's administrative budget during the next few years. She stresses that Penn has frozen its room-and- board charges for the past two years, taking advantage of new efficiencies in residential and food-service operations. But the costs of providing a premium education--everything from complying with new federal regulations to keeping up with changes in automation--have skyrocketed, she says. Even the expense of data has risen sharply. An online index of physics abstracts, for example, costs...

Author: /time Magazine | Title: WHY COLLEGES COST TOO MUCH | 3/17/1997 | See Source »

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