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...Revolution. At the penultimate performance, an outfit called Le Groupe Panique smashed a huge plaster reproduction of Rodin's Thinker into smithereens, spilling torrents of black ink out of plastic bags. Then, while a girl twisted the arms, legs and heads from plastic dolls, another girl stood by beatifically as a grave-faced artist shaved her groin. Later, Beat Poet Lawrence Ferlinghetti intoned his latest work while a naked couple made love vertically in a burlap bag, black light playing on their shoulders. "I should stop it," moaned Director Davis, "but if I do, there will be 28 times...

Author: /time Magazine | Title: France: The Happening | 6/4/1965 | See Source »

...five acres of contoured gardens, designed by Isamu Noguchi, containing sculptures given by Showman Billy Rose. Called the Billy Rose Art Garden (the word for sculpture-pesel-means a forbidden graven image), its terraces bank abstract works from Henry Moore to Tinguely, representational sculptures from Maillol to Rodin. The nudes not the abstractions forced two of Israel's chief rabbis to snub the inauguration...

Author: /time Magazine | Title: Museums: Israel's Hilltop Ark | 5/21/1965 | See Source »

...Billy Rose spectacle. While cops hovered before the curved Georgian facade of his Manhattan town house, showmanship's shortest (5 ft. 3 in.) giant lounged in the cavity of Henry Moore's Reclining Figure, surrounded by Reg Butler's Woman Stretching, Maillol's Chained Liberty, Rodin's nude Adam and Archipenko's cubistic Woman Combing Hair. While Billy watched, twelve white-coated movers lifted the sculpture into vans. In all, there were 105 pieces conservatively worth $1,000,000, and they were off on their final journey to Jerusalem...

Author: /time Magazine | Title: Collectors: Rose Garden | 3/26/1965 | See Source »

...biennial, which opened this week with works by 123 sculptors, 50 of them newcomers. Variety is the show's sole common denominator, but the overall impression leaves one fact inescapably clear: the past decade has changed sculpture more than it changed in all the time between Michelangelo and Rodin. Sculpture is no longer a quintessence of form, something to be isolated, set apart and contemplated. Instead, sculpture may plug in and light up, move by machinery or breezes, invite the viewer to play with it. Says Whitney Associate Curator Edward Bryant: "Sculpture wants to come down off the pedestal...

Author: /time Magazine | Title: Sculpture: Era of the Object | 12/11/1964 | See Source »

Neatness of execution, however, was not always a virtue even to Rodin, although aptness of thought was. The vogue for primitive art has led some sculptors to making fetishes. Edward Kienholz, 37, assembles objects from Grandmother's Victorian parlor and makes them into a wild and woolly revulsion called The Four Bears, which is composed, or decomposed, of a life jacket, a night table, and the extremities of a stuffed bear (whose sawed-off head nuzzles into a broken goldfish bowl). The human figure, when it appears, seems almost a wry joke. William King, 39, for instance, makes...

Author: /time Magazine | Title: Sculpture: Era of the Object | 12/11/1964 | See Source »

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