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...raise her skirt a little above the knee"), but the small sculpture pleased him. He decided to stick to sculpture from then on. In 1900 he turned out his delicate Leda, which was included in his first Paris show two years later. "In all modern sculpture," said Rodin of Leda, "I don't know of a piece that is as absolutely beautiful, as absolutely pure, as absolutely a masterpiece . . . What an artist...

Author: /time Magazine | Title: Art: The Master of Banyuls | 7/21/1961 | See Source »

...PARK in Philadelphia is a green oasis of wooded hills and bridle paths stretched along the banks of the Schuylkill (pronounced Skookl) River. It has a zoo, the the Philadelphia Museum of Art, mansions from colonial times, some buildings put up for the 1876 Centennial, a duplicate of the Rodin Museum in France and an excellent institute of applied science named for Benjamin Franklin. Covering 4,000 acres, it is one of the world's biggest municipal parks. With all that, Fairmount's most appealing distinction is as an outstanding outdoor show of sculpture- a vast art museum...

Author: /time Magazine | Title: Art: MUSEUM WITHOUT WALLS | 11/21/1960 | See Source »

...time passed, the park became a mishmash of changing tastes: there were Roman gods, a Joan of Arc, a majestically cloaked Saint-Gaudens Pilgrim, a copy of Rodin's naked Thinker. Then in 1913 the wealthy Mrs. Ellen Phillips Samuel, daughter of a Philadelphia iron tycoon, left in her will a trust fund to be used to buy "statuary emblematical of the history of America." Emblem No 1 was a sturdy Icelandic Viking named Thorfinn Karlsefni; after him came a procession of American types-a Ploughman, an Immigrant, a Slave, a Miner. Finally in 1950 the city decided...

Author: /time Magazine | Title: Art: MUSEUM WITHOUT WALLS | 11/21/1960 | See Source »

...perhaps the briefest art movement in history. Why, then, have scholars begun again to take it seriously? In the new view, it is seen as a genuinely liberating upheaval that gave some of the modern masters their first taste of bold experiment. Some of art's biggest names-Rodin and Ernst Barlach, Bonnard, Edvard Munch, Gauguin and Picasso-were at one time caught up in it. There is another reason for Art Nouveau's comeback. Its dipsy-doodling fancies may sometimes be gaudy, even ludicrous, but they recall a period that did have a kind of uninhibited elegance...

Author: /time Magazine | Title: Art: Time of the Tapeworm | 6/27/1960 | See Source »

...Beekman Cannon, '34, to Paul Gauguin's sunlit Landscape at Le Pouldu, lent by Paul Mellon, '29. France leads the list with 99 entries; next is the U.S. with 42. Most represented artist in the show is Picasso, with eleven pieces, followed by Degas with ten, Rodin with six, and Matisse. Cézanne, Monet and Vuillard with five each. The most represented U.S. artist is Winslow Homer, with three. Only Yale alumnus shown: Reginald Marsh, '20, with East Tenth Street Jungle...

Author: /time Magazine | Title: Art: In Elihu's Steps | 6/13/1960 | See Source »

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