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From Tigers to Torsos. Up to 1905, Sculptor Matisse is reasonably realistic and plainly the student of Rodin. There is a precise, crouched Tiger done in tense, slashing planes, a half-sized Slave, weary and hangdog. His women are more expressionistic, seem more like mere sketches for future work. His nude Madeleine, Nude Leaning on the Hands and Reclining Nude in Chemise are roughly scooped out to emphasize a side-slung hip, the languid sag of a relaxed body...

Author: /time Magazine | Title: Art: Painter with a Knife | 1/26/1953 | See Source »

...your article on Francis Henry Taylor, you mention his "striking resemblance to Rodin's bust of Louis XVI." Last summer, while visiting the Huntington Library at San Marino, Calif., I Was struck by this very resemblance. But the bust I was looking at is by a contemporary of Louis XVI, J. A. Houdon. If there is a bust of this monarch by Rodin, please print a reproduction and settle the question of Houdonit...

Author: /time Magazine | Title: Letters, Jan. 19, 1953 | 1/19/1953 | See Source »

...Paris' Society of the Collectors of Historical Figurines, and they see nothing juvenile or toylike about their speciality. Far from it. To the devotee, each brightly painted hussar and mustachioed grenadier is an honest work of art, deserving the same patience and devotion in its creation as a Rodin statue...

Author: /time Magazine | Title: Art: Don't Say Toy Soldier | 1/19/1953 | See Source »

Scholar & Showman. It takes a peculiar combination of scholar, executive and showman to run a venture like the Metropolitan. Francis Taylor seems to have the combination. Says a friend: "He has the administrative ability of Eisenhower and the scheming patience of Machiavelli, and he bears a striking resemblance to Rodin's bust of Louis XVI." Moreover, and more important, he can work in harness with such diverse types as learned curators and unlearned but connoisseur trustees...

Author: /time Magazine | Title: Art: Custodian of the Attic | 12/29/1952 | See Source »

...fled the Nazis who looted Saint-Leu of everything she owned. She escaped to the south of France with only some photographs of Tolstoy, several sketches given her by Rodin and the clothes on her back, and went to live at Banyulssur-Mer near her friend, the sculptor, Aristide Maillol. The only instrument in her pension was a battered old upright piano. Late one night, when everyone else was in bed, she sat down and played until morning. When the proprietress came down, Landowska inquired whether her playing had disturbed her. "But no," she replied. "I do not sleep well...

Author: /time Magazine | Title: Personality, Dec. 1, 1952 | 12/1/1952 | See Source »

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