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...bearded Frenchmen, Paul Cézanne and Auguste Rodin, swung wide the gates of modern art. What Cézanne's deep, crusty researches into the shapes of landscape did for modem painting, Rodin's passionate punching, kneading, twisting, squeezing and stretching of the human figure did for modern sculpture. Last week a Manhattan gallery honored the pioneer sculptor with a show of small works by him and 27 moderns, "The Heritage of Auguste Rodin...

Author: /time Magazine | Title: Art: Passionate Pioneer | 12/18/1950 | See Source »

Nineteenth Century sculpture was more lifelike than lively, consisting mostly of well-proportioned heroes and heroines correctly modeled in conventional poses. Young Rodin easily licked his contemporaries at that game. His male nude Age of Bronze caused a scandal at the "Paris Salon of 1877" because the judges mistakenly supposed it must have been cast from life. No one could make the same mistake about his later, greater bronzes. Dented everywhere by Rodin's thick thumbs, they were expressions of life, rather than copies. His marbles, when made by professional stone carvers from Rodin's clay models, were...

Author: /time Magazine | Title: Art: Passionate Pioneer | 12/18/1950 | See Source »

...When Rodin died in 1917, he had made spontaneity the rule instead of the exception in sculpture. A few of his followers, among them Aristide Maillol, Wilhelm Lehmbruck and Jacques Lipchitz, combined it as he had with a thorough knowledge of the body and the classical tradition. The greater number used it as a substitute for knowledge. Many of those in last week's show were like men who, having never learned to sing, just shout. There were others who seemed not to belong in the exhibition at all. The doughnut-soft abstractions of Jean Arp, the polished simplifications...

Author: /time Magazine | Title: Art: Passionate Pioneer | 12/18/1950 | See Source »

...like Cézanne, Rodin kept a firm hold on classical art. "I have invented nothing," he wrote. "I look at things from a symbolic point of view, but it is Nature that gives me all that. I do not imitate the Greeks, but I try to put myself in the state of mind of the men who have left us the statues of antiquity...

Author: /time Magazine | Title: Art: Passionate Pioneer | 12/18/1950 | See Source »

Rembrandt and Rodin are correcting the work in two new courses that the Fine Arts Department is giving...

Author: NO WRITER ATTRIBUTED | Title: 2 New Fine Arts Courses Stress Creative Ability | 10/11/1950 | See Source »

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