Word: rodolfos
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Dates: during 1950-1959
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Commissioned by the National Actors' Guild to do a huge, 127-ft. mural for the Jorge Negrete Theater on the subjects of "Tragedy," "Comedy" and "Farce," Siqueiros was one-third finished before the guild's horrified Secretary-General Rodolfo Landa saw what Old Party Member Siqueiros was up to. By "Tragedy," it turned out, Siqueiros meant "the aggression of the government against the workers." A blazing blue-eyed soldier is slugging a striker while near by a mother weeps over the body of a youth draped in the Mexican flag. Sketched out on adjacent walls were Siqueiros...
...antitotalitarianism that has swept over the Americas has stirred widespread grumbling in Paraguay. Heightening the discontent is the fact that political prisoners jampack police headquarters and overflow into two concentration camps. Torture has been common. Youth Leader Rodolfo Serafini, emerging from 67 days' imprisonment, showed newsmen welts crisscrossing his back...
...Lawyer Too." By the time Crime Chief Ibañez returned to headquarters with his prisoners, two of Argentina's top Commie lawyers, Julio Viaggio and Rodolfo Alfaro, were waiting with writs of habeas corpus. "Aha, I can be a lawyer too," snapped the chief. Where was Professor Ferrari's boardinghouse permit? "This is against municipal law." With that, Ibañez closed Stella Maris, charged its tenants with illicit operations...
...group, many thought, belonged to Tacoma (Wash.) Baritone Roald Reitan, who sang briefly last year with the San Francisco Opera. Ohio-born Tenor Jean Deis, who was told when he was nine that scarlet fever would prevent him from ever speaking again, also got a generous round as Rodolfo. The most popular Americans were Texas Soprano Sara Rhodes Hageman, 25, whose Mimi Italians found "delicious," and Manhattan Showgirl-Soprano Marjorie Smith, who was in Most Happy Fella and is now being pursued by Italian film makers...
...Prince-Joseph, in his album Anything Goes (RCA Camden), coaxes surprisingly sensuous sonorities out of his pedal harpsichord. His album achieves a fusion of styles that he refuses to label either jazz or classical. In I Could Have Danced All Night, for instance, he starts with a theme from Rodolfo's aria, Che gelida manina from La Bohème, develops the second chorus as a Mozart sonatina, cuts loose briefly with a sample of stride harpsichord, returns to Bohème in the coda. The album should send hi-fi bugs skittering, but no sound...