Word: rodriguez
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...just have to imagine the acrid smell, the seats with arms missing, the enthusiastic shouts or sometimes combative rants of the faithful. Everything else, Quentin Tarantino and Robert Rodriguez and their retro-hip posse mean to supply: a double feature - two 90 min. movies, Rodriguez's Planet Terror and Tarantino's Death Proof - plus four "prevues of coming attractions" from Rodriguez, Rob Zombie (Werewolf Women of the SS), Edgar Wright (the very funny Don't Scream) and Eli Roth (the even better horror holiday Thanksgiving...
...inspired premise: to commemorate, update and parody the infra-dig, ultraviolent '70s genre movies that used to fill three hours at scuzzy urban theaters. And just the right auteur-perps showed up for the job: Robert Rodriguez (Sin City) and Quentin Tarantino (Kill Bill), plus a few other cult directors to provide zesty trailers of fake horror films. Rodriguez's Planet Terror is a zombie thriller with some bloody fabulous effects; it's fast, icky and smart. You can skip the second feature: Tarantino's Death Proof, above center, offers an hour of gaseous girl talk and an inane...
...Will Ferrell hit Blades of Glory, does have a love interest (Jenna Fischer), but Ferrell doesn't--unless it's Heder. Indeed, the one big new movie fully populated with strong women is the "double feature" Grindhouse, from those epicures of raw meat, Quentin Tarantino and Robert Rodriguez...
...Planet Terror, Rodriguez's half of Grindhouse, a go-go dancer (Rose McGowan) loses a leg when zombies chew it off--wait, it gets weirder--and instead of a prosthetic limb has her stump fitted with a machine gun, which she uses to mow down acres of the undead. Death Proof, Tarantino's contribution, presents two trios of high-adrenaline chicks menaced by a psycho stunt driver. The women in both entries love guns and cars and don't mind using them for righteous vengeance and reckless thrills...
Dornan is gone from the House. And The Dinner Party is handsomely installed at its new home in Brooklyn in a darkened triangular enclosure with reflective glass-lined walls. Designed by Susan T. Rodriguez of Polshek Partnership Architects, the space isn't as much a gallery as it is a shrine. (Can we get something like this for Michelangelo's Pietà?) And the work itself? The Dinner Party has been compared to the AIDS quilt, which seems right--up to a point. The quilt is a genuine piece of collective folk art, whereas The Dinner Party, though it required...