Word: rods
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Dates: during 1970-1979
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Screenplay by ROD SERLING...
Then Jerry Fielding's rueful music grows percussively insistent, and breaks into a Rod Hart song about how an Arizona morning could make a Prescott roamer almost want to settle down. The landscape is hard and scrubby, but its color is warm. This is home. Bonner stops at a gas station-fruit market, buys fuel, and apples, and feeds one to his horse. Another frontier Cadillac passes him when he's back on the open road, driven by two rodeo friends with two pretty young ladies. "How you feeling, cowboy?" calls one. "Lonely, right now." "Have a taste...
...gauntlet. Newcombe, a seasoned, exquisite stud, had Lutz against the wall, double match point within the first hour, and the vultures had barely unpacked their bags. Actually, they never got to. Lutz escaped elimination the next day against Brian Fairlie, and the next, when they threw five-time champion Rod Laver...
Someone once walked up to Rod Stewart after a concert and told him he was the best singing. He said that the best was gone. "Twistin' the Night Away" is a tribute to Sam Cooke, Rod Stewart's personal idol. The song is not done with Cooke's smoothness, but that's not Stewart's style. But it's done well, with no trace of its datedness, as it's given a hard rock treatment. Measure enough of Stewart's homage and respect...
Stewart assumes his musical schizophrenia, which is certainly more than you can say for a lot of other people, Jagger and Van Morrison, to name two. He's a singer in a very fine rock and roll band, "Rod Stewart's super-sexist but bawdily irresistible Faces," (as Lester Bangs says in the new Ms.) But he's also a sensitive interpreter of other people's songs, and an equally sensitive writer-troubadour. He makes no preferences, even though I suspect he enjoys the band more. (But that's because I enjoy the band more...