Word: rogen
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Dates: during 2000-2009
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Here's a scene to frighten the horses. About an hour into Observe and Report, mall cop Ronnie Barnhardt (Seth Rogen) has finally achieved his dream and taken the blonde, egotistical, doltish perfume saleslady Brandi (Anna Faris) to bed, basically by getting her drunk. Problem is, she's pretty much passed out, her puke staining the pillow, as Ronnie happily, obliviously churns away. He pauses for a moment to notice her comatose state, and without opening her eyes, Brandi mutters, "Why'd you stop, malefactor?" Or a 12-letter word to that effect...
...feeling a rote rumble of pleasure. The scene achieves what few American movies even attempt: to pinpoint the grim compromise, the desperation, that can attend the sex act. Don't call it love; don't call it grand; but whatever it is, don't stop. (See pictures of Seth Rogen...
...Gambill) are the start of World War III. He hears voices in his head, and they're not happy. He's the polar - actually, bipolar - opposite of nice, nebbishy Paul Blart in this year's most popular comedy. Ronnie is Travis Bickle, Mall Cop. (See an interview with Seth Rogen...
...most guy-oriented comedies, originality is the merest wrinkle. (What if this 40-year-old man were ... a virgin?) Give writer-director Jody Hill two cheers for asking: What if we did a workplace comedy, and the focus of our attention and sympathy were on a fellow - played by Rogen, everyone's favorite jovial slob - who is this close to the simmering psycho Robert De Niro played in Taxi Driver? The gun love, the quiet surliness, the loner status, the head whisperings, the mistaken fashioning of other people's motives into paranoid scenarios - all echo the violent cabbie in Martin...
...only people who really have to see it are producers looking for directors, and Foot Fist did get noticed. This was thanks in part to the movie's rising star (and co-writer and UNCSA classmate) Danny McBride, who enlivened last year's Drillbit Taylor, Tropic Thunder and the Rogen-starring Pineapple Express, directed by another UNCSA alum, David Gordon Green. The stars were aligned; connections were secured. (Hill also works with McBride on the HBO series Eastbound and Down.) The kid was ready for his jump to the bigs...