Word: roguish
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...singular valentine to first love. Working his way up to One for My Baby, Bennett takes a big chance with a brash, almost R.-and- B. tempo. Sinatra's definitive version was an envoi to a lost love and a derailed life; Bennett's is a swagger, a roguish kiss...
Strychnine or arsenic, Louisiana? Pick your poison. That's about the only way to look at the state's gubernatorial race, which took on a noxious taint last week when former Ku Klux Klan leader David Duke began battling roguish ex-Governor Edwin Edwards for the keys to the executive mansion. The campaign threatens to bare the cantankerous soul of a state that is often derided as America's banana republic, a Third World realm of corrupt and crazy politicians, wild parties and bizarre customs. Yet even Louisiana has never seen anything this weird. Says John Maginnis, publisher...
...journeying, not burrowing in, is Raban's job. He returns to it just in time, with a roguish last chapter set offshore in the Florida Keys. He has rented a sailboat, and the wind is up, and banks of low nimbus clouds are swarming in from the northwest. Out of sight, the Key West highway is clogged with tourists, but that's their problem. Raban's narrative scuds toward the open sea, and the beguiled reader, as always at such moments, makes plans: sell the house, buy a boat. A case of salsa and a gallon of rum. How hard...
...tabloid headlines of popular perception, Beatty may be typecast as the roguish movie actor, or the legendary roue, or Shirley MacLaine's current brother, or the man who persuaded Gary Hart to make one last humiliating run for the presidency. But he is also, over the past quarter-century, the movies' most distinctive producer-star, with Bonnie and Clyde, Shampoo, Heaven Can Wait and Reds to his credit (and Ishtar to his debit). As the only person to have been nominated for Oscars in four different categories on two separate occasions -- for acting in, and producing, writing and directing Reds...
...better than Batman. Warren Beatty, Hollywood's most distinctive producer- star, scores after a long dry spell with a gangland drama of wit and grace, narrative sweep and unique visual style. All this and Al Pacino and Dustin Hoffman (strutting their roguish stuff while devil-dolled up in grotesque makeup) and a knockout Madonna too. It may not be a great movie -- after all, it's only comic-book art -- but it's great moviemaking...