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Word: roguish (lookup in dictionary) (lookup stats)
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Beyond the exotic cinematic locale and roguish approach, the clearest assets in Bye Bye Brazil are Jose Wilker and Betty Fariah as the veteran troupers. Wilker seems to have only two expressions--an unconvincingly heroic sternness and a wonderfully fatuous smile of beneficence--but he deploys them willingly. He provides a continual comic center to the film with his sly corruption and his charmingly sleazy hokum, often delivered at omnipotent volumes over what one suspects is the only amplifier in the Brazilian backlands. Diegues subtly uses Wilker's ridiculously inept shamming to represent more seriously the modern demand to sell...

Author: By F. MARK Muro, | Title: To the Brazilian Beat | 2/5/1981 | See Source »

...tangential pretensions and clutter, The Stunt Man never forgets the cheap pleasures of the funhouse, and in this fundamental modesty it becomes something unique. The simple high spirits of the ferris wheel save The Stunt Man from a pathetic failure. This film falls into the great American tradition of roguish, exploitative entertainment. This is a movie of sequins and comic strip naivete, of the three-ring circus. And Rush is a dazzling ringmaster...

Author: By F. MARK Muro, | Title: A Celluloid Magic Show | 10/30/1980 | See Source »

...Breaking Glass, relishes its role as supergroup, spreading itself thinly across the Cinemascope screen. The members give opinions on any and every subject, frequently flaunting their new wealth. Female bassist Corine Marienneau even lets her mother be interviewed. The "what is your favorite toothpaste?" dialogue is interspersed with the roguish posing and extended amplification of this lightweight heavy metal band in New Wave drag...

Author: By Gregory Springer, | Title: Punk Flicks (Old Tricks) | 10/16/1980 | See Source »

...affection. Farrow and Perkins project neither. Farrow's Phoebe is naive without the endearing thread of home spun innocence. Her vocal habit of putting equal stress on each syllable, word and sentence leads to aural torpor. Perkins' Jason is waspish and petulant with out a trace of roguish lovability...

Author: /time Magazine | Title: Theater: Love Apples | 11/19/1979 | See Source »

...audience, even to the point of facial telegraphy with broad smirks, grins and grimaces. It is an attention-getting device for securing the playgoers' sympathy. As a result, the corrupt ambition and awful malignity of Richard are whittled away, and he appears as no more than a roguish prankster...

Author: /time Magazine | Title: Theater: Madcap Villain | 6/25/1979 | See Source »

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