Search Details

Word: roguish (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Connery, Down and Donald Sutherland are three of today's most appealing movie stars. Connery plays the rogue who devises the heist. He is roguish. Down, with her blue-glazed eyes and magnificent body, is delightful, but her part as Connery's adoring partner is not. Sutherland plays the Cockney criminal-type who helps pull off the job, but his accent sounds American even to Americans, bereft of music, charm or higher tones. Everyone else in the cast is ugly or stupid or both...

Author: By David B. Edelstein, | Title: Nonelectric Trains | 2/9/1979 | See Source »

...agent of his undoing is Jean-Paul, a roguish Parisian chauffeur (Jack Lenoir) who sees that the screenwriter is too cubical to make a move toward the very available Hunnicutt character and who does the necessary maneuvering himself. He is a scampish servant of classical comedy, who cleverly manages his master's life without neglecting his own comfort. At the film's end, when the screenwriter threatens to violate the rules of worldliness by falling in love, Jean-Paul saves him from the folly of earnestness by bedding the lady himself. The writer does not take this kindness...

Author: /time Magazine | Title: Cinema: Fizzled Farce | 1/29/1979 | See Source »

...manages to say a lot about the role of ethnic groups in politics, especially at a time when the conventional melting-pot wisdom has it that ethnic differences are growing ever less important as a political force. Indeed, it's tempting to compare Levine to Frank Skeffington, the endearingly roguish Irish political boss who cheerfully dominates everyone around him in Edwin O'Connor's classic The Last Hurrah. On the surface, it works. Like Skeffington, Levine has an acute awareness of his culture, and uses it to full advantage--although to Levine this requires much more subtle calculation...

Author: By Francis J. Connolly, | Title: Citizen Levine | 9/11/1978 | See Source »

Though nonsense of this kind is timeless, the farce is set in Paris in 1952, and it is clear that Director Claude Berri regards The First Time, like his earlier films The Two of Us and Marry Me, Marry Me, as a roguish memoir. The mighty engines of nostalgia come into play as male viewers in their 40s, harassed by their own teen-age children and the spores of mid-life fungus, look backward with Berri. It is a rueful pleasure to watch Claude and his randy school friends stumble rubber-kneed after anything in skirts. The viewer smiles...

Author: /time Magazine | Title: Cinema: A Blown Seed | 4/17/1978 | See Source »

...experimental station in the English Lake District, where they have been treated bestially by doctors. Freedom means surviving in the inhospitable countryside and dodging much of the British population, which incorrectly believes the animals have been inoculated with plague. On their journey the beleaguered canines are aided by a roguish fox. It is hard to say anything critical about such a heartwarming story...

Author: /time Magazine | Title: Books: Puppy Love | 3/13/1978 | See Source »

Previous | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | Next