Word: roguishly
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This could be an essay in contempt--the movie's title suggests a corrective fart aimed at the ghost of folk pop--but what's the fun in that? These gifted improv-ers of course locate the ludicrous. (Lynch does a roguish parody of everything that is creepy and false about show-biz poise.) But Guest also trusts any actor's tendency to fall in love with his character--and find elaborate rationales for goofy behavior. "There had been abuse in my family," Higgins solemnly recalls. "But it was mostly musical...
...Wuhu, Charles was patrolling the waterfront when he saw a woman holding opium. Rather than arrest her, he let her go. That woman was Lily Chan. Lily, whose first husband had died in a Japanese bomb raid, was an aptly roguish match for Charles; she "walked like a hood," he says, and was a devout gambler. Soon Charles had a new family: Lily and her daughters, Yulan and Guilan...
...world knows Hong Kong for its martial arts movies, and the first Celestial collection has three of the best. Come Drink With Me (1966), The Heroic Ones (1970) and Killer Clans (1976) all bubble with betrayal, with roguish good guys (notably the boyishly take-charge Chiang in The Heroic Ones) whose hands are quicker than their opponents' eyes, and with plot twists as unexpected as the trap doors that open for all manner of malefactors in Killer Clans. The stunt work is exhilarating, the narrative ingenuity inexhaustible...
...held country principle that rough edges translate into lower sales, so record labels often send their most promising acts to media-training schools for a good dulling down. The stars of the future are then taught how to smile with lots of teeth, tilt their hats at the proper roguish--but not too roguish--angle and repeat variations on the "I'm just so glad to be making the music I love" palaver that plays between videos on Country Music Television. On her first day at media school, the Dixie Chicks' lead singer Natalie Maines told her instructor an oral...
...Crouching Tiger, Hidden Dragon audience and features some awfully familiar flying kicks, we have to be grateful that it avoids the cello solemnity of that blockbuster. Rather than high art, director Peter Pau aims for the high spirits of Steven Spielberg's Indiana Jones films, with their roguish heroes, cultured antagonists and mytho-archaeological quests. Still, at least Spielberg threw in the occasional Arabic subtitle, thereby adding a bit of real atmosphere?a quality The Touch sadly lacks despite its $20 million budget. Pau and Yeoh may have hoped for a slick internationalism with their English-only policy and generic...