Word: rohe
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Dates: during 1950-1959
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...that Frank Lloyd Wright is gone, chief rivals for the title of world dean of international architects are German-born, Chicago-based Ludwig Mies van der Rohe, 73, whose skin-and-bones style (Manhattan's Seagram building) has spread the vogue for glass-curtain walls across the U.S., and France's prickly, Swiss-born Le Corbusier, 72, whose dramatic structures (Ronchamp Chapel) qualify as large-scale sculptures in concrete. Last week "Corbu," who has long been rankled by the fact that U.S. clients have fought shy of his turbulent genius, landed his first U.S. commission...
...ceiling for a library in Viipuri, an undulating wall for the Finnish Pavilion at the 1939 New York World's Fair-and the tastemakers of the era all sat in Aalto's curved plywood chairs. But as the glass-and-steel revolution sparked by Mies van der Rohe swept into power after World War II, Alvar Aalto (rhymes with hall-toe) dropped out of sight, seemed close to becoming architecture's forgotten...
...oversized photographs, the Museum of Fine Arts displays the recent work of thirteen of the major modern architects. The show features the work of architecture's "big three"--the late Frank Lloyd Wright, the vigorous and ceaselessly inventive Le Corbusier and the contemplative, conservative Dutchman, Mies Van Der Rohe...
...Seagram Building represents the consummation of the classicism of Mies Van Der Rohe. Rarely has such refinement, such tastefulness and simplicity been applied to what Frank Lloyd Wright derisively labeled, the "cereal box" style of architecture. Yet "cereal box" or no, most important modern buildings as well as those throughout the ages have used the rectangular solid as their basic form...
Rarely has New York, home of showplace restaurants (if not of showplace food), seen anything quite like The Four Seasons. Such architects as Mies van der Rohe. Eero Saarinen and Philip Johnson helped to arrange its five lavish dining rooms (two public, three private). Fifteen trees of different and exotic species ranging up to 18 feet tall wave in the breeze, and $50,000 worth of foliage, from cheese plants to Ficus trees, crowd the Mies chairs and Johnson tables. The walls are covered with an original Jackson Pollock spatter painting called Blue Poles, three surrealistic tapestries by Joan...