Word: rohe
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Dates: during 1960-1969
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LOOK up-and anywhere in the U.S. the building, if it is relatively new, and certainly if it is of steel, will bear traces of Mies van der Rohe. In a time of confusion, he was a purist. In an era of innovation, he was a disciplinarian. He found shapes for the new possibilities of glass and steel, and the architecture of the world has never been the same since. Ludwig Mies van der Rohe, who died in Chicago last week at the age of 83, never realized the extent of his fame. "It is bad to be too famous...
Died. Ludwig Mies van der Rohe, 83, titan of 20th century architecture...
...Gropius founded the Bauhaus in Weimar, probably the most stimulating and revolutionary design school of all time. Artists Paul Klee, Josef Albers and Wassily Kandinsky taught alongside Architects Marcel Breuer and Mies van der Rohe, among others, sharing their excitement with one another and the students. They brought together all the arts: weaving and furniture-making, as well as graphics, painting and architecture. Their work, regardless of medium, material or size, recognized the force of industrialism and the beauty of the machine. It was an entirely new way of looking at the world...
...sense, though, Gropius lived to be disappointed. Rationality in architecture, which reached its peak with the highly disciplined, exquisitely refined towers of Mies van der Rohe in the 1950s, has been cheapened by the slick, boxy, formula buildings that proliferate in every city like frozen dinners in a supermarket. The architect's imagination is now captured by bold, brutal structures of raw concrete; or intricate multilevel structures, designed with the help of a computer; or "pop" buildings that seem to revel in the chaotic interplay of roof lines, angles, windows, colors. Yet all the architects who rebel against Gropius...
...effect written the silences and let the words fill in suggestively. Such a drastically reductive approach yields spare shards of poetic realism, reminiscent of the prose of Joyce and Beckett. But it also demonstrates a rather arid point: in esthetics it is not always true, as Mies van der Rohe once said, that less is more. Sometimes it is less...