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...trend, Manhattan's Parke-Bernet Galleries last week staged a doubleheader, splitting sales of 130 modern art works with a $50-a-plate black-tie dinner. On hand were such luminaries as A. & P. Heir Huntington Hartford, Playwright Edward Albee, Architects Philip Johnson and Mies van der Rohe, Baron Heinrich von Thyssen, the Duchess of Leeds and all three Kennedy sisters. Nearly 3,000 potential buyers crammed four floors of the auction house with the spillover relegated to the limbo of nearby Finch College, where they followed the high-tension bidding and the hammerings-down on closed-circuit television...

Author: /time Magazine | Title: The Market: Doubleheader | 4/23/1965 | See Source »

Many of today's artists prefer to call their unlikely likenesses "interpretations" rather than portraits. Abstractionist Hugo Weber became friends with Mies van der Rohe while they both were teaching at the Illinois Institute of Technology. Not until 15 years later did Mies permit a portrait, and then Weber had to sketch while the architect worked at his desk. The blue of Mies's habitual business suit pervades a shoulder-swaying pose as slashing as icy spindrift. Weber still does not know if his subject was pleased, but Mies did buy one of his oils and three drawings...

Author: /time Magazine | Title: Painting: Unlikely Likenesses | 3/26/1965 | See Source »

...building. (Walton counted the votes in a hangar at Logan Airport, then did away with the ballots to preserve the secrecy the architects demanded.) They had agreed, with the six foreigners among them vigorously concurring, that the architect should be an American. Almost everyone listed Mies van der Rohe, the German-born septuagenarian who is generally looked upon (along with LeCorbusier and the late Frank Lloyd Wright) as one of the three greatest architects of the 20th century. Most of the selections also included Warnecke, because of his association with the President. There were several votes for a corporation...

Author: By Donald E. Graham, | Title: Why Pei? | 1/8/1965 | See Source »

...architects, and now they began traveling to meet each of the men they were considering for the job. Louis Kahn, whom Walton remembers as "leprechaunish," drew a plan of a platform stretching across Storrow Drive, with the library to be built atop the platform; Mies van der Rohe suggested a similar concept. Bunshaft, whose Beinecke at Yale was the only libray any of the architects submitted in their workbooks, was considered carefully. (When Walton and Mrs. Kennedy visited Yale to talk with Paul Rudolph they found that three of the seven men had buildings on the campus. None...

Author: By Donald E. Graham, | Title: Why Pei? | 1/8/1965 | See Source »

Skyscrapered Manhattan, taken as a whole, is one of man's most fascinating architectural conglomerations. But when it comes to singling out individual masterworks by the greats of modern architecture, the pickings are slim. Frank Lloyd Wright and Mies van der Rohe get only one building each (the Guggenheim Museum and the Seagram Building); Marcel Breuer's first structure (the new Whitney Museum) is only now going up; and Pier Luigi Nervi is relegated to a bus station at the north end of the island. Last week Finnish Architect Alvar Aalto, one of the acknowledged deans of modern...

Author: /time Magazine | Title: Architecture: A Room of His Own | 12/11/1964 | See Source »

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