Search Details

Word: rohe (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...building which Paul Rudolph-and most other architects-acknowledges as the "most beautiful curtain-wall building" in America was paying a penalty for it. Park Avenue's Seagram Building, designed by Mies van der Rohe and Philip Johnson, has been judged by New York City's Tax Commission to be so expensively elegant that it should be taxed on a basis about 50% higher than if it were one of the bleak glass boxes that surround...

Author: /time Magazine | Title: Modern Living: Prestige Value | 6/7/1963 | See Source »

Second City. Thanks largely to its improved surroundings, the university has begun again to play its proper part in Chicago's vibrant cultural climate. In the past, that climate had nurtured the talents of such innovators as Sullivan, Wright and Mies van der Rohe, Frank Norris (The Octopus), Sherwood Anderson (Winesburg, Ohio), Carl Sandburg, James T. Farrell (Studs Lonigan), and the "Chicago School" of jazz. Today, Chicago is characteristically self-conscious about its "second city'' creativity, even though young people like Shelley Berman. Negro Dick Gregory, Bob Newhart and Nichols & May have all sparked new trends...

Author: /time Magazine | Title: Cities: Clouter with Conscience | 3/15/1963 | See Source »

...have paid to Minoru Yamasaki [Jan. 18] by adding him to your previous selections of Distinguished Architects Frank Lloyd Wright, Edward Stone and Le Corbusier. And thank you for placing it under Art, where architecture belongs, as it is and always has been a fine art. Mies van der Rohe and Bunshaft come under engineering and IBM machines. And I. M. Pei belongs under water...

Author: /time Magazine | Title: Letters: Jan. 25, 1963 | 1/25/1963 | See Source »

More Is More. Early in this century, the French architect Auguste Perret declared, "Decoration always hides an error in construction"; later, the great Mies van der Rohe summed up the approach to purity and discipline in the phrase "Less is more." These tenets have to a large degree held sway ever since. But to Yamasaki, this architecture lacks "delight, serenity and surprise," and if he must have decoration to achieve these things, he will have it. Until the Seattle Pavilion opened, the unserene battle over architectural philosophy that Yamasaki stirred up was kept mostly within the profession, but the public...

Author: /time Magazine | Title: Art: The Road to Xanadu | 1/18/1963 | See Source »

...cities, he says, that were most exposed to the influence of the contemplative East. Decline of the Glass Box. Back in the U.S., Yamasaki proceeded to tell his profession what he had learned. He paid handsome tribute to the glass box of the great Mies van der Rohe, but the glass box, except in the hands of a few highly talented men, had deteriorated into a cliché. He denounced "the dogma of rectangles" and the module system of building - "as monotonous as the Arabian desert." He deplored the "plastering of whole blocks of midtown New York with regimented patterns...

Author: /time Magazine | Title: Art: The Road to Xanadu | 1/18/1963 | See Source »

Previous | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | Next