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Less Was More . . . The first part of the book deals with the old masters-Sullivan, Ferret, Wright, Le Corbusier, Mies van der Rohe and Finland's Alvar Aalto. Some readers may question Jones's conclusion that Wright and not Le Corbusier was the greatest architect of their generation, or that Wright's corkscrew Guggenheim Museum is his best work. (Perhaps because Le Corbusier is the most inaccessible of architects, Jones's chapter on him lacks the luster of the others...

Author: /time Magazine | Title: Art: Exuberant Architecture | 10/13/1961 | See Source »

Mies & More. Eero was never a man to follow another blindly. He was enormously indebted to the disciplined ("Less is more") approach of Architect Mies van der Rohe. Yet he came to regard the strict functionalism of his elders in the International Style more as a "purgative" than a final answer. For the mammoth General Motors Technical Center in Detroit, Saarinen thought not only of Mies but of Versailles, Tivoli and San Marco...

Author: /time Magazine | Title: Art: Sensitivity & Crust | 9/8/1961 | See Source »

...committee worked on the collection, SOM was providing a setting that even the Medicis might have envied. The golden carpeting for the 17th floor executive offices came from Hong Kong. SOM designed tables to conform to the disciplined lines of the building; the chairs ranged from Mies van der Rohe's elegant Barcelona model to the stubby leather swivel chairs designed by Ward Bennett-who also advised on color and office appointments. Many of the textiles used are handwoven, come from as far away as Thailand...

Author: /time Magazine | Title: Art: Wall Street Treasure | 6/30/1961 | See Source »

...Paris, with its glassed front wall, "a manifesto" in itself, and harked to Ferret's belief that "decoration always hides an error in construction." At Behrens' studio, Jeanneret was apprenticed with the self-effacing son of a poor masonry contractor in Aachen. His name: Mies van der Rohe, who is now the U.S. mas ter of the spare glass-and-steel skyscraper. At length Jeanneret opened an office in Paris "in a beastly little street, seventh floor, over a yard, in the servant's room...

Author: /time Magazine | Title: Art: Corbu | 5/5/1961 | See Source »

...significant that two of the six contemporary churches pictured are Lutheran Church-Missouri Synod churches. We have been aptly described as the most conservative in doctrine and the most progressive in architecture. Ludwig Mies van der Rohe notwithstanding, it is not technology that is building these houses of worship, but it is devoted followers of Christ putting technology to work for the kingdom...

Author: /time Magazine | Title: Letters: Jan. 13, 1961 | 1/13/1961 | See Source »

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