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Most bright new comets in the architectural sky soon settle into orbit around such suns as the late Frank Lloyd Wright, Chicago's Mies van der Rohe or France's Le Corbusier. It is a rare one that grows to be a force in his own right. For architectural stargazers, the most exciting new arrival is crew-cut Paul Rudolph, 41, who two years ago was appointed chairman of Yale's department of architecture, and is already beginning to collect a few satellites...

Author: /time Magazine | Title: Art: BRIGHT NEW ARRIVAL | 2/1/1960 | See Source »

...that Frank Lloyd Wright is gone, chief rivals for the title of world dean of international architects are German-born, Chicago-based Ludwig Mies van der Rohe, 73, whose skin-and-bones style (Manhattan's Seagram building) has spread the vogue for glass-curtain walls across the U.S., and France's prickly, Swiss-born Le Corbusier, 72, whose dramatic structures (Ronchamp Chapel) qualify as large-scale sculptures in concrete. Last week "Corbu," who has long been rankled by the fact that U.S. clients have fought shy of his turbulent genius, landed his first U.S. commission...

Author: /time Magazine | Title: The Press: Corbu at Harvard | 11/30/1959 | See Source »

...ceiling for a library in Viipuri, an undulating wall for the Finnish Pavilion at the 1939 New York World's Fair-and the tastemakers of the era all sat in Aalto's curved plywood chairs. But as the glass-and-steel revolution sparked by Mies van der Rohe swept into power after World War II, Alvar Aalto (rhymes with hall-toe) dropped out of sight, seemed close to becoming architecture's forgotten...

Author: /time Magazine | Title: Art: PRICKLY INDIVIDUALIST: FINLAND'S AALTO | 10/5/1959 | See Source »

...oversized photographs, the Museum of Fine Arts displays the recent work of thirteen of the major modern architects. The show features the work of architecture's "big three"--the late Frank Lloyd Wright, the vigorous and ceaselessly inventive Le Corbusier and the contemplative, conservative Dutchman, Mies Van Der Rohe...

Author: By Ian Strasfogel, | Title: Form Givers at Mid-Century | 10/2/1959 | See Source »

...Seagram Building represents the consummation of the classicism of Mies Van Der Rohe. Rarely has such refinement, such tastefulness and simplicity been applied to what Frank Lloyd Wright derisively labeled, the "cereal box" style of architecture. Yet "cereal box" or no, most important modern buildings as well as those throughout the ages have used the rectangular solid as their basic form...

Author: By Ian Strasfogel, | Title: Form Givers at Mid-Century | 10/2/1959 | See Source »

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