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...defenders, the bad press was such that the show's curator, Marcia Tucker, eventually lost her job. Hilton Kramer, who was then the unappeasable critic of the New York Times, dismissed Tuttle with a few lines that followed the artist around for years. Playing off Ludwig Mies van der Rohe's famous directive that less is more, Kramer announced that "in Mr. Tuttle's work, less is unmistakably less ... One is tempted to say that, so far as art is concerned, less has never been as less as this...

Author: /time Magazine | Title: Art: The Man of Small Things | 7/10/2005 | See Source »

Less is more? For much of the 20th century, Ludwig Mies van der Rohe's famous formulation was a guiding principle of design and not just for architects. But even when pared-down Modernism was at the height of its prestige, there was a countertradition of glorious excess. "Glamour: Fashion, Industrial Design, Architecture," an exhibition that runs from Oct. 9 through Jan. 16 at the San Francisco Museum of Modern Art, traces an aesthetic of surplus and superabundance that continually bursts forth in clothing, buildings, automobiles and objects--a taste for luxury, spectacle and even pure, shameless glitz that...

Author: /time Magazine | Title: More--and More!--Is More | 9/14/2004 | See Source »

...understand that right away at his new student center at the Illinois Institute, a campus designed and once headed by none other than Ludwig Mies van der Rohe. Thanks to the sleeve for the railway that sits atop the center's V-shaped roof, it has an aggressively awkward exterior, like a shed being crushed by a giant auto muffler. Inside it's a kind of bright angular cyclotron designed for the purpose of accelerating human fusion. By encouraging students to literally cross paths at every turn, it offers itself as a substitute for the city that once bordered closely...

Author: /time Magazine | Title: Architecture: One For The Books | 4/26/2004 | See Source »

...Libeskind makes glass and steel thunderbolts. Zaha Hadid goes in for tilting thrusts. Lately Norman Foster is doing armored towers. Among the world's most prominent architects, no one's work looks much like anyone else's. No one presumes to be handing down, like Ludwig Mies van der Rohe once did, the chief forms from which all others are supposed to flow. But with the singular spectacle of his Guggenheim Museum in Bilbao, Spain--all that glistening titanium, those war-whooping arabesques--Frank Gehry in 1997 undid everyone's idea of what a building looks like. Ever since...

Author: /time Magazine | Title: Frank Gehry | 4/26/2004 | See Source »

...Calatrava wanted to be a sculptor, but an early encounter with the work of Ludwig Mies van der Rohe sent him down the path of architecture (art is still his avocation--his Manhattan town house and his villa outside Zurich are filled with his abstract steel sculpture). Shortly after finishing his architecture studies he won a design competition for a train station in Zurich, and because he had taken the unusual step of getting a second degree in engineering, he soon found himself being sought out to design bridges throughout Europe, a job that ordinarily falls to engineers and rarely...

Author: /time Magazine | Title: The Poet Of Glass And Steel: Structures That Take Flight | 3/8/2004 | See Source »

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