Word: roles
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Dates: during 1950-1959
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...Center devoted its time to the planning and definition of future work. For purposes of analysis, the group chose three general areas in which to concentrate its efforts: American political development and the traditions it has fostered; the influence of social mobility in emphasizing the individual; and the role which voluntary organizations have played in limiting the power of the state...
...adapting Cervantes' work for last week's Du Pont Show of the Month (CBS), TV Writer Dale Wasserman caught the tragic essence of Don Quixote's comic role. In a tricky but effective device, he fused author and hero into one character, and let both proclaim: "To dream the impossible dream, to fight the unbeatable foe, and never to stop dreaming or fighting-this is man's privilege and the only life worth living." Viewers and critics inclined to snicker at such idealism missed the point of a fine TV drama whose central theme...
...Figaro last week, Tenor Charles Kullman (Don Basilic) suddenly realized that he was missing something: his voice. His vocal cords evidently affected by a lingering cold, Kullman rushed to the dressing room and started desperately croaking at Tenor Gabor Carelli, who was not scheduled to go on (in the role of Don Curzio) until the third act. Carelli looked up amiably from his newspaper. "Quit your kidding, Charlie," he said. When Kullman finally got his message across. Carelli hastily switched costumes and rushed onstage to sing Don Basilio...
...tennis serve and a fine basketball hook shot. After she left Radnor, the brunette became one of the best lyric-coloratura sopranos in the world. Last week a busload of teachers journeyed to Manhattan to cheer the school's most famous alumna in a new kind of starring role. Young (24), shapely (36-24-36) Soprano Anna Moffo was making her debut at the Met in Verdi's La Traviata...
After she won a Fulbright scholarship to study in Italy, she got her big break in 1956 when she won the title role in an Italian TV production of Butterfly. Overnight Italy claimed her. "A voice of the sweetness and brilliance of our heavens!" wrote the Carriere della Sera critic. Voted one of Italy's ten most beautiful women, Soprano Moffo was soon singing in major European opera houses, was signed by the Chicago Lyric Opera in 1957. She had turned down two previous offers from the Met on the ground that the proposed schedule demanded too much...