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Word: roles (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...assembly's ad hoc task force is working on a review of college governance. A review of the way the Harvard administration governs the College would update a ten-year-old report explaining the student role in the College, Bruce Ives '82, head of the task force, told the assembly yesterday...

Author: By Susan K. Brown, | Title: Assembly to Rent Train for Yale Game | 10/15/1979 | See Source »

...Best Little Whorehouse in Texas. Apparently, Mr. Grafstein has done little or no research into this musical; this is evident from several of his groundless criticisms. The most glaring example is his description of the investigative reporter, Melvin P. Thorpe of Watchdog News. It is a "contrived role," a "suitable Dan Rather imitation...

Author: NO WRITER ATTRIBUTED | Title: Defending 'Whorehouse' | 10/15/1979 | See Source »

Which leaves Chris Clemenson, or the real tragedy of On the Lam. Clemenson is a hugely talented actor who can trigger hysteria with any of a dozen subtle expressions or inflections. Predictably, he does not seem all that happy with his role in this show--he ends up like Olivier in any of his recent roles, desperately mugging and overacting to compensate for the script--and maybe a little resentful, a little angry with himself for getting involved in all this. Actually, it's a lot like watching Olivier host Saturday Night Live. Worse, Borowitz and his court...

Author: By Paul A. Attanasio, | Title: Dissertation on Roast Pig | 10/15/1979 | See Source »

Lebow rears his tall bulk up, out of the general confusion at ground level, and almost manages to clear away the smoke Cain's direction pours forth. This is a confident Lear, a rarity considering how many critics believe the role nearly unplayable. Lebow's accomplished command of the Shakespearean line never falters under the unreasonable demands of his role; try shouting "vaunt-couriers of oak-cleaving thunderbolts" sometime, for example, and see how easy...

Author: By Scott A. Rosenberg, | Title: Not the Promis'd End | 10/15/1979 | See Source »

Lebow doesn't bother to find a profoundly all-inclusive theory for his role; he brings a versatile, booming voice, a carefully controlled set of mannerisms, and a simple human magnetism to the stage, and struggles to maintain them in the face of Cain's slings and arrows. His personal triumph stands far above the "general woe" of the rest of the production...

Author: By Scott A. Rosenberg, | Title: Not the Promis'd End | 10/15/1979 | See Source »

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