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...ROLF RONAY...

Author: /time Magazine | Title: Letters, Nov. 11, 1957 | 11/11/1957 | See Source »

...viewed by a courtesan in Verdi's mid-19th century Paris. Under Tyrone Guthrie's posturing direction, Violetta entertained her first-act guests in a towering, vine-entwined conservatory, while in the third act the chorus moved confusingly up and down a curving marble staircase. Costume Designer Rolf Gerard provided the principal ladies with frothy, subtle-hued dresses scarcely calculated to deliver a message even to the most lickerish-eyed boulevardier. As for Soprano Tebaldi, although she had attempted to follow the heroic Callas diet example ("I lose 25 pound in three year!"), she still bore scant resemblance...

Author: /time Magazine | Title: Music: Todd-AO Traviata | 3/4/1957 | See Source »

Apart from the animal motif, Ritchard has staged the affair with the wit of a Gilbert-and-Sullivan romp and the style of a top-drawer fancy-dress ball. Bouncing about like a tall, elegant puppet, he lives up to the excellent settings by Rolf Gérard (including a hilarious-looking Dungeon for Recalcitrant Husbands) and he delivers the lines and lyrics of Playwright Maurice Valency's able English adaptation with skilled gusto. In fact, Ritchard is guilty of only one flaw. He has included a cancan that is danced by the corps de ballet in more...

Author: /time Magazine | Title: Music: Romp at the Met | 1/7/1957 | See Source »

...Cork for Svengali. The time is after Stalingrad; the place is the Black Sea area. The German situation is hopeless, and the task of Corporal Rolf Steiner's wounded platoon is near-suicidal. Its job is to stay behind as a rearguard while the rest of the battalion withdraws. In the fluid state of the front, this means only one thing, that the hapless platoon will soon be a cork abob in a sea of Russians. The platoon has small faith in its chances, but believes mesmerically in Corporal Steiner, who has assumed command from his wounded sergeant. Steiner...

Author: /time Magazine | Title: Books: Corporal's Inferno | 4/23/1956 | See Source »

Stage Magic. The Met's General Manager Rudolf Bing spent most of his money and effort on sets and costumes (by Rolf Gerard), and for once the decor onstage was brighter than the intermission melee in Sherry's bar. Highlights: ¶ Living murals in the opening tavern scene, with a pair of bacchantes astride barrels, pouring wine and beer into golden goblets and steins waved by bare, disembodied arms...

Author: /time Magazine | Title: Music: Hoffmann & Papa | 11/28/1955 | See Source »

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