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...Burkle ’06 was working for a production in France last summer when he stumbled upon the inspiration for his senior thesis in an Avignon bookstore. The Harvard theater veteran fell in love with “Knock,” a classic French comedy by Jules Romain, upon first reading. The play follows the rise to power of the villainous Dr. Knock against the backdrop of medical hysteria in a small French town.Surprised by its lack of renown in the United States, he set about researching its history and adapting the script for American viewers, using more...

Author: By Lena Chen, CRIMSON STAFF WRITER | Title: 'Knock'ing on Success's Door | 4/6/2006 | See Source »

...loneliness of the U.S. in its quest for a steadier Kosovo or Bosnia, denouncing the lack of Europe's commitment. Elliott may have forgotten that in both places, Kosovo and Bosnia, American and European soldiers fought side by side and that air strikes were also delivered by European aircraft. Romain Champenois Versailles, France...

Author: /time Magazine | Title: Letters | 2/19/2006 | See Source »

...loneliness of the U.S. in its quest for a steadier Kosovo or Bosnia, denouncing the lack of Europe's commitment. Elliott may have forgotten that in both places, Kosovo and Bosnia, American and European soldiers fought side by side and that air strikes were also delivered by European aircraft. Romain Champenois Versailles, France The commentary by Elliott was a thinly disguised apology for American foreign policy. He claims the U.S. led the way in the campaign against nuclear proliferation, yet the U.S. maintains, and has always maintained, the largest nuclear arsenal in the world. Elliott also praises American restraint, which...

Author: /time Magazine | Title: Barriers for German Women | 2/16/2006 | See Source »

...career he abandoned-as a promising concert pianist, which his mother also once was. It's an improbably melodramatic premise-Golden Boy reset in Paris-and also a remake of the American film Fingers. But that reckons without the canny direction of Jacques Audiard and the appealing work of Romain Duris as the muscle man-musician. His efforts to reclaim himself are told with irony, a touch of almost unspoken romance and surprising, but plausible, results as the movie moves from noirish darkness to the more sunlit realms of artistic aspiration...

Author: /time Magazine | Title: Best of 2005: Richard Schickel's Best Movie Picks | 12/17/2005 | See Source »

...case of Jacques Audiard's film, The Beat, his protagonist Tom (Romain Duris) is in "real estate." Translated, that means he beats up the tenants in the low-rent buildings he and his partners hope to turn into high-rent properties. On the side, he provides similar services for his slumlord father, who's fading into senility. His late mother, however, was a famous pianist whose talent he has inherited. One day he encounters her agent, who encourages his return to the keyboard. Soon his fingers are flying--and his strong arm is beginning to atrophy...

Author: /time Magazine | Title: Movies: What These Hands Can Do | 6/26/2005 | See Source »

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