Word: roman
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Dates: during 2000-2009
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IT’S A WONDERFUL AFTERLIFE. Where would you like to visit after you die? The Hasty Pudding Theatricals’ 155th spoof takes you through Heaven, Hell, and Limbo in a production of Divine Comedy proportions. Meet Rabbi Noah Fense, Nun Taken, and the Roman General Curtis Interruptus. Hilarious. Wednesdays through Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m., Sundays at 3 p.m. Tickets $25 weekdays, $27 weekends. Group discounts available. Through Wednesday, March 19. Hasty Pudding Theater, 12 Holyoke...
...paintings from the Renaissance to the 20th century; the church and cloister of Les Jacobins, founded by St. Dominic in 1340, is famed for its spectacular 28-m "palm tree"; pillar, fanning out into 22 vaulting arches; and the Musée St. Raymond, with its stunning ancient Roman sculpture...
...even bigger flea market. And every day but Monday, there's a big, bustling, cornucopia-style covered market that puts sterile grocery chain stores to shame. Toulouse has been a market town since its early days as the Gallo-Roman Tolosa. In the Middle Ages the city was governed by councilors called capitouls, chosen from among the leading merchants. In the 15th century the merchant class grew rich from the international trade in pastel, a blue dye made from the locally grown woad plant, and the newly wealthy began to build the brick mansions that still line almost every central...
IT’S A WONDERFUL AFTERLIFE. Where would you like to visit after you die? The Hasty Pudding Theatricals’ 155th spoof takes you through Heaven, Hell, and Limbo in a production of Divine Comedy proportions. Meet Rabbi Noah Fense, Nun Taken, and the Roman General Curtis Interruptus. Hilarious. Thursday, Feb. 13 through Wednesday, Mar. 19. Wednesdays through Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. (except Saturday, Feb. 22 at 2 p.m. and 8 p.m.), Sundays at 3 p.m. Group discounts available. Hasty Pudding Theatre, 12 Holyoke...
...PIANIST. Adrien Brody’s magnetic, largely silent performance in Roman Polanski’s Holocaust drama almost compensates for The Pianist’s inconsistent tone and distasteful political sensibilities. Brody’s Wladek Szpilman, who could hardly have picked a worse time and place to be Jewish, transforms from cocky concert pianist to starving phantom hunted by Nazis after escaping death in the bombed-out ghetto. The film soars briefly as it reflects on the redemptive power of music and the Szpilman’s commitment to survival; it stumbles badly in its misleading depiction...