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...Boston Globe and The New York Times). Others experimented with types that looked like the monk with quill calligraphy to which literate people were accustomed. Such types become known as italics. Still others imitated everyday handwriting, and a fourth group copied the sturdy, draftsmanlike formality of the letterforms from Roman columns...

Author: By Dante E.A. Ramos, | Title: An Exhibition of a Different Type | 2/11/1993 | See Source »

...journalist has just left the young woman to her job, which is being a princess. They will not see each other again. The camera stays with him as he walks through the sepulchral rooms of some vast Roman palazzo, and his face shows everything: the loss, the melancholy, the love, the sweetness of feelings found fleetingly, then lost irretrievably...

Author: /time Magazine | Title: Film's Fairest Lady: Audrey Hepburn 1929-1993 | 2/1/1993 | See Source »

This scene, the end of William Wyler's Roman Holiday, is memorable for reasons that can never be taught in film school. Wyler had a fierce sense of emotional focus, and he had here a consummate movie star, Gregory Peck. But this great scene would have been nonsense if Peck did not have something wonderful and irreplaceable to miss. He had Audrey Hepburn...

Author: /time Magazine | Title: Film's Fairest Lady: Audrey Hepburn 1929-1993 | 2/1/1993 | See Source »

...actress, a tremendous tensile strength that helped anchor the unforced ebullience of her personality. When a film required it, she could really dig in her heels. Billy Wilder's Sabrina, which quickly followed Roman Holiday, showed her torn between the smooth bachelor blandishments of William Holden and the tempered, literally businesslike attentions of Humphrey Bogart. Hepburn made the right choice -- the heart's choice -- as she would continue to do in all her best-remembered movies. Past the sorcery of her sensuality, with its inviolate innocence, and past her great beauty, Hepburn wooed and won her audience because she always...

Author: /time Magazine | Title: Film's Fairest Lady: Audrey Hepburn 1929-1993 | 2/1/1993 | See Source »

...central theme of this Super Bowl No. 27 (enough of the Roman numerals!) is obvious: redemption. The Buffalo Bills have played in the Super Bowl for the past two years, expecting to win both times. Instead, they lost by a hair to the New York Giants, then were scalped by the Redskins. After the Bills thumped the Miami Dolphins 29-10 last week to earn their third straight trip to "the Show," as players prefer to call it, there was little euphoria. Instead, there was a sense of mission. "I don't think we want to celebrate yet," said nose...

Author: /time Magazine | Title: The Quest for Redemption | 2/1/1993 | See Source »

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