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Among films in limited release, Roman Polanski's favorably reviewed thriller The Ghost Writer took in $870,000 on just 43 screens. But the big race, not so much at the box office as in this week's Oscar pools, was between two nominees for the foreign-language Academy Award, both of them released by Sony Pictures Classics. A Prophet, Jacques Audiard's French prison drama, opened to a decent $170,000 in nine theaters in New York and Los Angeles, while Michael Haneke's The White Ribbon made $168,000 in its ninth week of limited release. That movie...
...part of this study group, Roman-Salazar helped draft a policy paper that was nearly 30 pages long, explaining what members hoped the program would look like. The five sections of the paper not only included an outline of what they envisioned down the road, but also compared Harvard’s current offerings in ethnicity and human rights to those of other Ivy League schools. But the group ultimately decided not to base its proposal off of any other school’s curriculum, citing the limited resources available for the creation of new programs...
...looked at a lot of schools, but since we were limited in how far we could go with what we were looking for, it was better for us to start from smaller steps,” Roman-Salazar recalls...
...With this effort, we tried to include very different groups,” says Roman-Salazar. “Maybe it was just that we brought together the right level of enthusiasm and student involvement and faculty involvement working together...
Athena Lao ’12, who attended faculty meetings and advocated on behalf of the program along with Roman-Salazar, acknowledges that the current curriculum may be deemed too far-reaching in scope, but is pleased nonetheless with the outcome of the program...