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Not that Lucas is defensive. "I like things fast," he says. "That's the way I am, personally. But I still enjoy other kinds of movies a great deal. I like movies that are, you know--I like Last Year at Marienbad. It's just that my talent runs in...

Author: /time Magazine | Title: CINEMA: THE FORCE IS BACK | 2/10/1997 | See Source »

MOVIES . . . . DANTE'S PEAK: "Disaster movies are our millennial No plays, totally stylized, totally predictable, but comforting in their familiarity," says TIME's Richard Schickel. "Whether the threat to domestic tranquillity is a ferocious shark, invading spacemen or a rogue volcano (as in Dante's Peak), it reassures us that...

Author: /time Magazine | Title: Weekend Entertainment Guide | 2/7/1997 | See Source »

The Waverly, Berlioz's earliest catalogued work, is typical of any composer's early works: light, crowd-pleasing, conventional and devoid of individual style. Its sound blends the characteristics of the Classical and Romantic eras, but does not follow the Germanic style that preceded it. Overall, the Waverly had a...

Author: By Felicia Wu, | Title: Berlioz Blitz Rocks Symphony Hall | 1/30/1997 | See Source »

A ROMANTIC WEB

Author: /time Magazine | Title: People: Jan. 20, 1997 | 1/20/1997 | See Source »

Artful equivocations are even worse; lynx-eyed sly little rascals that we are, we see right through them. (Up to exam 40. Then our lynx eyes droop, and grading habits relax. Try to get on the bottom of the pile.) Again, it is not that A.E.'s are vicious or...

Author: NO WRITER ATTRIBUTED | Title: A GRADER'S REPLY | 1/13/1997 | See Source »

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