Word: romanticizes
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Dates: during 1960-1969
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...OPHULS' camera motions create the famous 'romanticism' of his films. The pans and traveling shots of The Exile (1947) don't just follow his characters; they give an extraordinary grace and sweep to the characters' motion through their physical surroundings. The shift from a male to a female protagonist in Letter from an Unknown Woman (1948) gives the film, which is told through her narration, a sense of memory which freezes certain images, and of personal isolation which somewhat dwarfs the heroine in her opulent surroundings. The relations between characters in Madame de.... (1953) feel still more detached, more based...
THIS IRONIC contradiction between supposed free will but actual determinism continues throughout. The first flashback's subject--the end of Lola's affair with Frantz Lizst--couls show her perfectly free (it's constantly filled, for example, with romantic music), and therefore like the heroes of Ophuls' early films. But...
In a quick rundown, Spender typecasts French student-rebels as "romantic," West Germans as "theoretic" and Americans as "hysterical." Columbia's wildly improvising white students ("Let's take a hostage!") he accuses of being more neurotic than the blacks, who, he says, had limited but precise objectives. He...
GODARD then offers and rejects some solutions. After a period of wandering slaughter in which the political basis of their situation ("From the French Revolution to weekends with De Gaulle") is made explicit, the couple encounters two third world revolutionaries. The ensuing lecture on guerrilla warfare is intercut with shots...
As she narrates romantic music swells and dies, at times covering her speech. The two characters' imperviousness to this, as to the physical beauty of their setting (stressed by the camera's motion), becomes more pointed in a ten-minute continuos track which follows their car as it passes a...