Word: rome
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Dates: during 1970-1979
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...their cells, the message said Moro had been executed by "suicide," which "must not be only a prerogative of the Baader-Meinhof group." It went on to say that Moro's body could be found in a tiny lake high in the Apennine mountains 70 miles northeast of Rome. Helicopters carrying frogmen and Alpine troops converged on the mountainside. The lake, virtually unreachable except by sophisticated mountaineers, was nearly frozen solid. After two days of searching, a body was found; it turned out to be that of a local shepherd who had apparently drowned himself...
History's lesson, as University of Southern California Economist Arthur Laffer has shown in the so-called Laffer Curve, is that when taxes go up, economic activity goes down. Empires from Rome to Britain reached their fullest flower when their taxes were low, Wriston remarks, and started to self-destruct as taxes rose. Americans feel uneasy about their economy, partly because federal, state and local governments tax away 29% of the gross national product. Warns Wriston: "We are getting very close to the point where high taxes will cause the economy to deteriorate...
...Rome and Louis XV France and Jacobean England and Renaissance Vienna... another Harvard musical confection is modern in comparison. I say "in comparison," because some may consider any play dealing with the Washington Senators to be just this side of ancient history. Never mind--Damn Yankees may be dated, but it boasts tunes like "You've Gotta Have Heart," "Whatever Lola Wants," "The Good Old Days" and "Goodbye Old Girl," which is more than you can say of the Globe sports pages. As you might expect, a show mixing Faust and the Yankees was combustible stuff on Broadway...
...just about everyone abysmally flunks the course, it should be remembered that Dunlop is the teacher who plunged the players into this disaster. His prime error is to reduce the play to some quirky personalities on a bare set; its true home is a realm-the great stage of Rome. Dunlop has given us a Rome sans populace, sans armies, and devoid of the pervasive presence of megalopolitan power-perhaps the most potent character in the drama. The Roman state is what stalks the minds and characters of the men who conspire to kill Caesar. It is never remotely felt...
Furthermore, Dunlop, who has a nimble intelligence and no inconsiderable gifts in stagecraft, seems either to have missed or ignored the moral point of the play. Rome is at the flash point at which a republic blazes into tyranny. Into the crucible of history, the conspirators, and especially Brutus, pour the proposition that evil means (the assassination of Caesar) justify good ends (the preservation of the citizens' freedom). And history, time and time again, has verified the answer proffered by the play: the ends never justify the means; the means degrade and become the ends...