Word: romeos
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Dates: during 1960-1969
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...Europe than anyone else ($1,300,000 last year). This year it stands to increase its share of the European market from 20% to 25% if Citroën comes into the fold. At home, sales have fallen off under competition from imports and from government-owned Alfa-Romeo. But Agnelli, Fiat's ardent pan-European, is more than making up for the decline with increased exports. Taking a tip from Detroit, he is bringing out several new models, including the fast-selling 124 coupe; yet he still insists that Europeans will never go for the "policy of waste...
...this Romeo and Juliet had been produced in 1956, there might have been no need for West Side Story the following year. "I wanted to bring the story to the attention of young people," says Director Franco Zeffirelli. "The story is of two urchins crushed by a stupid, banal quarrel with origins even the adults don't know. In love the young couple found an ideal - one they could die for - and youth today is hungry for ideals...
They are not hungry for Shakespeare, but Zeffireli's Romeo and Juliet will surely do much to reawaken a youthful identification with the aristocratic "star-crossed lovers" who have been so long in the limbo of Required Reading. This is one of the handful of classic Shakespearean films; it ranks lower than the Olivier Henry V, but only because of the substance, not the direction. With a charged, witty camera, Zeffirelli has managed to make the play alive and wholly contemporary without having had to transfer the action to a modern setting. Romeo and Juliet appear afresh...
...month, he acquired a sealskin parka, drove a motorcycle across the permafrost, and danced with an Eskimo go-go girl. During a recent visit to Montreal, he spent an evening clinking glasses at Man and His World, this year's version of Expo. On a jaunt to see Romeo and Juliet at Stratford, Ont., he was able to command the Prime Minister's private railway car and, naturally, a backstage visit with Juliet: 24-year-old Actress Louise Marleau...
...specifics: Troilus and Cressida are not, as this production would them, interchangeable with Romeo and Juliet. Although Troilus' first scenes are thoughtfully conceived and work fine with Troilus mooning-about indulging in the awkward speculation of a seventeen-year-old virgin, a later device of having the lovers visibly improvising the romantic metaphors they lovingly hurl at one another is gratuitous. First, it's a stock actor's trick (whenever you have a self-conscious speech to say, you make it quite clear that you're writing it on the spot) and all those pauses, well...