Word: romeos
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Dates: during 1960-1969
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Bailey's highly subjective shutter shows Sharon Tate and Roman Polanski in a bare-chested embrace, looking like an older, less innocent reincarnation of Romeo and Juliet. Candice Bergen poses as though she belongs on the prow of a ship-and says that she "can't think of anything grimmer than being an ageing actress; god, it's worse than being an ageing homosexual." Rudolf Nureyev romps with Cecil Beaton; Jeanne Moreau presses her fingers nervously to her mouth; Malcolm Muggeridge scowls in fearsome closeup. And Fashion Designer Douglas Hayward remarks: "Everyone is so insecure . . . what...
...seen B.C. will ever forget it. It was a ghastly, primeval Romeo and Juliet, with the Shell and Rock families replacing the houses of Montague and Capulet. Loana Shell (Raquel) and Tumak Rock (John Richardson) meet and fall agonizingly in love. Agonizingly, because he already has a mate back in the Rock family cave. Besides, every time they get together, a Tyrannosaurus rex clamps onto the scene or the families start crushing one another's noggins with clubs. After an apocalyptic earthquake, Loana stalks off with her inamorato, presumably to become The Second Mrs. Tumak...
About 200 police stood guard from a discreet distance. Pietro Guli, chief of the airport police, volunteered to go aboard. Eventually he re-emerged with Minichiello, who got into the back seat of Guli's Alfa Romeo, pointed his carbine and asked him in Neapolitan-accented Italian to drive away. Only three miles out of Rome, Minichiello ordered Guli from the car and then drove on a short distance before jumping out and heading across the fields. As some 800 police and four helicopters fanned out in search, Minichiello wandered through the vineyard-dotted countryside for more than four...
Stars from Stuttgart. Cranko's company has chosen to concentrate on three full-length works, The Taming of the Shrew, Romeo and Juliet and Eugene Onegin, all richly staged and costumed and all choreographed by Cranko. He handles large groups of dancers with remarkable dramatic effect. But the Stuttgart Ballet has been devastating audiences all across the U.S. mainly because of the dancing of two new stars, Marcia Haydée and Richard Cragun...
Strong and effortless, Cragun tactfully puts a matinee idol's figure at the service of his roles, making Romeo, Petruchio and even Onegin believable and remarkably affecting. The marvel, though, is Marcia Haydée. Experts correctly point out that she is not a great dancer technically. Most would turn puce at the thought of mentioning her in the same breath with Margot Fonteyn. But few dancers within memory have projected the rangi of whims and wishes or invoked the delicate interplay of emotions that flow from the least gesture of Haydée's body, the slightest...