Word: romero
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...presenting any exposition, but here, director Breck Eisner (whose last wide-release was box-office bomb “Sahara”) treats the audience to a story with such plausibility and intelligence that it evokes a very realistic fear. The film is also co-written and produced by Romero, the godfather of zombie movies (“Night of the Living Dead,” “Dawn of the Dead,” “Day of the Dead”) who lends a guiding hand in reimagining his most underrated film...
...apocalypse in rural America that accomplishes exactly what it sets out to do; raise your blood pressure, clench your teeth, and make you high-five the stranger next to you. Maximizing its low-budget special effects, “The Crazies” successfully remakes the 1973 George A. Romero cult classic of the same name by stringing together a series of frightening and gory situations while simultaneously—and unexpectedly—presenting uncommonly deep themes for the genre...
...Romero expanded this premise into parable of a government experiment gone horribly wrong in wartime. He posited that a plane containing a deadly virus crashed in a lake near a small town; the military then takes drastic actions to contain it. Made during the Vietnam war, and just after the revelations of a My Lai massacre, the original Crazies had an unmissable Vietnam analogy: the military must destroy this village to save the country. The local folks could almost be seen as Vietnamese civilians, politicized by attacks on their village and fighting back by any means necessary. There's also...
...original film, Romero tested the viewer's sympathies, partly balancing the plight of the few uninfected townsfolk with the attempt of a Colonel and a scientist to find a cure. The remake dispenses with these nuances, turning the military into a vague, malevolent force that spies from above on Ogden Marsh, then quarantines or removes the townspeople. By doing so it exploits the enmity, across the political spectrum, for people in power. Its sour view of government intervention would suit both the American Left in the Bush-Cheney era and the Tea Party today. As we watch the three people...
...little gun-crazy, The Crazies wouldn't be a horror movie. The truly radical approach would be to depict an ordinary place, let its people stay ordinary and find meaning and drama in their lives and deaths. But nobody wants to remake Our Town. Everybody wants to remake Romero...