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Senior co-captain Valerie Romero said after the events that the team's depth and enthusiasm were the keys to success. "This is a young team but very balanced--most of us are playing our first year of varsity and we are all very excited about it," she added...

Author: NO WRITER ATTRIBUTED | Title: Women Spikers Raise Record In Double Tournament Action | 10/13/1981 | See Source »

Last year, the Crimson organized the offense with two setters, seniors Louise Horn and Ray Kinoshita (who is taking time off this fall), two tall middle blockers, Rusty Baker and Liz Peterson, and two hitters, Schoofs and Val Romero. Sophomore Isabel Holland, who saw-action as the all-important seventh man, may replace Kinoshita this season, but with a group of talented freshmen expected to try out, no positions are secure...

Author: By William A. Danoff, | Title: The Newest Varsity in Town | 9/14/1981 | See Source »

...into high school. Each fall teachers steel themselves to confront a steady stream of unfamiliar faces with all-too-familiar problems. But like a stratified rock in Geology I, the school tells more about where the town has been than where it is going. English Teacher Tizoe Romero recalls the '40s, when Memorial was the poor white man's school. Coach Harry Franson remembers twelve years ago, when Memorial was overwhelmingly black. Today Memorial is about 70% Hispanic. A copy of the 1980 yearbook lies open on a table in the art room: Maggie Lopez and Marcos Robles...

Author: /time Magazine | Title: In California: Pay-as-You-Go Pedagogy | 5/11/1981 | See Source »

...Romero also traveled the commercial route to independence, with low-budget scare shows that made his name and his fortune: Dawn of the Dead, the 1979 sequel to his cult classic, Night of the Living Dead, has earned $55 million worldwide. The audience reaction to Romero's perfervid shockers has always been poised between a scream and a giggle. Now, with Knightriders, Romero has taken a bigger risk: he blends Arthurian legend with modern-day bikers-Excalibur meets Easy Rider-and dares the audience to laugh at the noble exploits of working-class jousters. The Camelot caravan juggles lofty...

Author: /time Magazine | Title: Cinema: Lights! Camera! Pittsburgh! | 4/27/1981 | See Source »

This makes for a splendid premise, and a dramatic dilemma. Except for a few oafishly drawn media sharpies, everyone in Romero's Paisley pageant is so nice that no true conflict arises. The movie begins in a splash of delirious lyricism-King William (Ed Harris), naked, birching himself clean in a sylvan lake before mounting his trusty motorsteed-then bogs down in 145 minutes of psychological verismo. The writer-director wants to present rounded, sympathetic characters but never allows them to develop beyond the caricatures in Reel 1. Romero, whose early films displayed the carnographic brio...

Author: /time Magazine | Title: Cinema: Lights! Camera! Pittsburgh! | 4/27/1981 | See Source »

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