Word: romes
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Dates: during 1960-1969
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...whom were aflame with Nasserite notions of Arab unity and socialism. During the brief periods when the curfew was lifted last week, young men in Tripoli swarmed out to cheer the revolution, and schoolgirls built triumphal arches of branches and flowers on scores of streets. Libyan embassies in Damascus, Rome and Athens were seized by young Libyan students and officers studying abroad...
...movie-and who knows? Of course, Maria Scicolone Mussolini, 31-year-old mother of two, has a couple of uncommon advantages. Her husband is Jazz Pianist Romano Mussolini, Benito's son, and the familiar surname may have helped to make her shoes and handbags all the rage in Rome. In the same circular way, it may help sell records. The movie? Well, Maria is also Sophia Loren's kid sister, and Italian, French and American producers have not been slow to note the family resemblance...
...confirmed and amplified the Now Look, a bewildering compound of acid and sweet charity, an exuberant blend of innocence and togetherness.. En masse, the gaily bedecked faithful presented an unsettling aspect, a ragtag mosaic of humanity suggesting anything from the Children's Crusade to the Vandals sacking Rome...
...Devil Your Head is Federico Fellini's first film since Juliet of the Spirits, and it is a 40-minute excursion across the surreal landscape of his boundless imagination. Never centers on a washed-up Shakespearean actor named Toby Dammit (Terence Stamp) who has come to Rome to star in "the first Catholic Western." He is hounded by his own self-contempt and haunted by a vision of a corrupt cupid from hell, a devil in crinoline (Marina Yaru), who appears before him bouncing a large and somehow ominous white ball. At the end, Toby terminates his pilgrimage...
This is familiar Fellini territory, but the maestro has added a few more flamboyant turns of the screw. His camera swoops through the Rome airport during Toby's arrival, catching glimpses of bizarre travelers bathed in demonic orange light, their bodies contorted into poses that are parodies of reality. Indeed, there is almost too much in Never for a short film. Fellini's sometimes prodigal genius threatens to overwhelm the story, which he apparently agreed to do only on the advice of his astrologer. But even to such journeyman projects, Fellini brings the kind of stylistic prestidigitation that...