Word: romes
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
Around the globe, others shared America's enthusiasm. In Paris, emergency electrical generators were turned on to keep TV tubes glowing through the night. In a crowded bar on Rome's Corso di Francia, one Italian disparaged the Apollo achievement-and was clobbered in a fist-swinging, bottle-throwing brawl. In Japan, Emperor Hirohito canceled a botanical outing in the woods to watch TV. In Germany and in Uruguay, police reported a sharp drop in crime while Eagle was resting on the moon. Said a West Berlin police sergeant: "I wish there were moon landings every night...
...large headline type. New Delhi's Statesman and the Montgomery (Ala.) Advertiser put large footsteps on their front pages. São Paulo's O Estado de São Paulo ran Astronaut Neil Armstrong's first words after stepping on the moon in nine languages. Rome's II Messaggero covered three-quarters of its front page with three words: "Luna-Primo Passo...
...complications involving local pride and pocketbooks.Still, there are few precedents for the problems faced by Arthur G. McKee & Co., a Cleveland engineering firm that does a $154 million-a-year business designing and building industrial plants around the world. Independence-minded employees of the company's subsidiary in Rome, Compagnia Tecnica Industrie Petroli (CTIP), are staging an outright corporate rebellion...
...would enable CTIP employees to run their company themselves, rather than let tight control remain with the parent organization in the U.S. Despite the threat of a costly walkout, CTIP's McKee-controlled executive committee fired Cavanna and two of his collaborators. This month CTIP's 850 Rome employees went on strike. A group of militant strikers have taken over CTIP's modern six-story headquarters, which they promise to hold indefinitely. Said the rebels' placards: "Let the profits go where the brains...
Nevertheless, none of the new film movements really makes documentaries. The films of the Neo-Realists were the action of social reality on a particular sensibility: Open city (Rossellini), far from being objective, details at every moment Rossellini's outrage at the Nazi occupation of Rome. Godard's films similarly document the meeting or reality and sensibility, instead of documenting reality in a direct, objective manner. Thus fiction and fantasy abound in his works. The same is true of newer Eastern and Western European films, which delight in twisting old dramatic old dramatic forms and inventing new and yet more...