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...when the word sculpture meant solidity. But their wit lasted. Time and again, one encounters feats of inspired and self-mocking draftsmanship, traced with wire in air: portraits of Jimmy Durante and the shimmying Josephine Baker, or a farouche she-wolf suckling Romulus and Remus through six wooden drawer pulls that serve as her teats. Often there is a prophetic note. Calder's motorized sculptures of the '30s predict the kinetic art of the '60s and are fulfilled in such giant works as Universe (1974), in Chicago's Sears Tower...

Author: /time Magazine | Title: Art: Calder's Universe | 10/25/1976 | See Source »

Americans have been so busy celebrating their anniversary that a historic event of equal significance has gone unmarked. This summer commemorates the birth of one great state and the death of another. Fifteen hundred years ago, on Aug. 28, A.D. 476, Romulus Augustulus, the last Emperor of the West, abandoned his throne to Odoacer, a leader of Germanic tribes. Thus did the Roman Empire fall...

Author: /time Magazine | Title: Bicentennial Essay: The Score: Rome 1,500, U.S. 200 | 8/23/1976 | See Source »

...Mythology. It is a key that the reader should turn for himself. Although interpretations may vary, it seems clear that Blum's puzzling tale has some roots in the basic myths of the twin culture heroes who father new tribes, cities and even heavenly bodies. Romulus and Remus, or Castor and Pollux come first to mind. But in the case of Bear and Black Bear, Blum's biblical symbolism suggests Esau and Jacob. To this are added a dash of psychedelics and some excellent literary effects. In the early pages, the prose has a deadly metallic precision. When...

Author: /time Magazine | Title: Books: Heels and Souls | 7/27/1970 | See Source »

...conflict between idealism and materialism is expressed in the confrontation between Otto Rupf, head of the international trouser company, and Romulus. The gruffly energetic portrayal of Rupf by Rich Anderson overemphasized this already obvious distinction...

Author: By Robert Edgar, | Title: Romulus at Dunster House through Nov. 14 | 11/8/1969 | See Source »

...Romulus deserves attention as being one cut above the average house production both in the seriousness of its intent and in the general success of the execution. Jason Kanter, the director, succeeds to a great extent in managing the unruly elements of the script, and, with the help of Chris Ripman's set, his production ends up being close to the theatrical equivalent of a Roman banquet...

Author: By Robert Edgar, | Title: Romulus at Dunster House through Nov. 14 | 11/8/1969 | See Source »

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