Word: rondo
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...Most sophisticated and euphonious of the Fahnestock records are those from Bali, reproducing the gamelan (gong) orchestras of the Balinese temples. Balinese gongsters, whose instruments range in timbre from trumpetlike brass gongs to tinkly wooden ones, play complicated rondo-like pieces, entirely without notation; a player remembers his notes by silently reciting a long poem. The Balinese scales correspond roughly to the Western; one of them has notes named ding, dong, deng, dung, dang. The Dutch Governor of Bali discovered a scale not previously identified, and the Fahnestocks recorded it in the singsong of an eight-year-old boy reciting...
...benefit of those who are interested, I repeat here Rachmaninoff's Sunday afternoon program (which, may I add, is a typical Rachmaninoff program in its popular glitter and lack of musicianly interest): Organ Prelude and Fugue, Bach; a Mendelssohn Rondo; a Chopin Nocturne and two Mazurkas; the Sonetto del Petraca and the Rhapsody No. 11 of Liszt, and Beethoven's Sonata Apparrionata, as well as several compositions of Rachmaninoff...
...Heifetz, Heifetz plays Saint-Saëns' Introduction and Rondo Capriccioso one night at Carnegie Hall. In the audience is a slum boy (Gene Reynolds), who found a ticket in the lobby, failed to sell it to anyone at the door. Heifetz' fiddle stirs in this embryonic cutpurse the will to resume his own studies on the violin. When the charitable music school which takes him in finds itself in an understandable financial jam, Heifetz is touched for a $5 bill, promises to attend the school's concert if he can. Although making him keep this amiable...
...Fascist State set about overcoming this shameful symphonic weakness. Officially smiled upon was a group of contemporary Italian orchestral composers, headed by the late Ottorino Respighi (Pini di Roma), lean-faced Ildebrando Pizzetti (Rondo Veneziano), gloomy, Venetian-born Gian Francesco Malipiero (Pause del Silenzio) and dapper, energetic Alfredo Casella (La Giara). Dominant influence on these composers was that of French Impressionists Debussy and Ravel, though Casella and Malipiero occasionally toddled in Stravinsky's footsteps...
Between Bootheven and Prokefloff (chronologically, that is) lies Richard Strauss, who, while still alive, composed most of his greatest works twenty or more years ago. "Till Eulenspigel's Merry Pranks after the Old-Fashioned Reguish Manner--in Rondo Form" is a long title but highly appropriate for one of his shorter tone poems, which is also to be heard tonight. When first performed in Boston in 1896, it encountered a most cold reception and phrases such as "a blood-curdling night-mare," "a musical obscenity," and "a noisy, nerve-destroying, heavy piece of work" were recklessly hurled at the composer...