Word: ronstadt
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...celebrity chronicler whose daughter Lizie, 18, herself a fledgling pop singer, helped him with his American Scene piece last February on the Grateful Dead. Says Skow, 53: "I am now one of the world's oldest Dead Heads." His TIME cover subjects include Model Cheryl Tiegs, Singer Linda Ronstadt and Actresses Diane Keaton and Meryl Streep. Skow dined with Madonna and her band at Chez Helene in New Orleans and discovered "that we both liked Judy Holliday and soft-shell crabs...
...difficult deciding to lose her virginity." "Oh no," Madonna shot right back. "I thought of it as a career move." Says Marsh: "She presents herself as very tough and sluttish, which people seem able to accept very easily from Mick Jagger, but not from her. And look at Linda Ronstadt. She was at least as 'sluttish' as Madonna. Madonna never had her picture taken in a pigsty with shorts...
...Linda Ronstadt: Lush Life (Asylum). Also starring Nelson Riddle and his orchestra. This is a sequel to last year's surprising smash, What's New, in which Ronstadt, her arranger-conductor and his orchestra proved that anything old could be renewed again, probably-given this kind of talent-in perpetuity. Lush Life is rather more playful and relaxed than its predecessor, as if the singer felt vindicated by her decision to refurbish some of pop's sturdiest standards. There is a kittenish sexuality singeing the edges of some of the twelve songs here; Mean to Me sounds...
That is the test: if the hankies come out, Boheme is a success. The shocker was that onlookers misted up not for Ronstadt but for another Mimi, tiny, strawberry-blond Soprano Patti Cohenour. (Lead duties are divided; Cohenour sings four of eight weekly performances; Ronstadt three, and another Mimi, Caroline Peyton, the remaining show.) The sweet-voiced Cohenour and her surprisingly strong Rodolfo, Country Singer Gary Morris, seemed lyrically in love. The other leads, a fine Marcel (Howard McGillin) and a brilliant Musette (Cass Morgan), took fire from them. The night before, Ronstadt and her Rodolfo, David Carroll, had sung...
...fault was Ronstadt's. Her voice seemed small and uncertain, and she was unable to move from her strong, rock-belter's low register to her silvery high notes without shifting gears awkwardly in her uncertain middle range, where most of Mimi's singing is done. It seems doubtful that her deficiencies are readily curable. She must have known early in rehearsal that the experts had been right to say that a pop singer could not make the leap to Boheme. She might have quit then and sunk a production that depended heavily on her name. That she stayed...