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...this roof as really a test roof??it’s not a commercial product,” Werthmann said...

Author: By Stephanie B. Garlock, CRIMSON STAFF WRITER | Title: GSD Experiments With Roofs | 4/19/2010 | See Source »

...Though the decor is less than postcard-worthy—yes, we do have cinder blocks—postcards generally don’t make the best of living spaces. Singles abound in Currier (both the person and room variety), and everything is under one roof??as should be the case in a House—so you never have to deal with any of the entryway alphabet soup that forces you out into the cold rain in order to get to the dining hall. (Take that, River Houses.) Described...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: The Housing Market Reviews: Currier House | 3/9/2010 | See Source »

...Stairs to the Roof?? is a play that many theater-goers may never have heard of by a playwright they probably know quite well. One of Tennessee Williams’ earliest works and his first written deliberately for a mass audience, “Stairs” has never had the popular appeal of Williams’ later plays. Seemingly aware of this fact, visiting director Michael M. Donahue ’05 turns the Agassiz theater inside-out with an exciting and unconventional production that breathes vibrant life into a work that wouldn’t ordinarily...

Author: By Nicholas D. Cuse, CONTRIBUTING WRITER | Title: Donahue Elevates 'Stairs' to New Heights | 2/9/2010 | See Source »

Despite the weaknesses of the two leads, “Stairs to the Roof?? comes into it’s own in the last twenty minutes. The expertly choreographed ensemble uses elements of pantomime, slow motion, and Vaudevillian antics to highlight the strengths of Williams’ story. Although the ending of the play is shamelessly deus ex machina, it is done in a way that is genuinely surprising even in the context of an already unconventional production...

Author: By Nicholas D. Cuse, CONTRIBUTING WRITER | Title: Donahue Elevates 'Stairs' to New Heights | 2/9/2010 | See Source »

...Stairs to the Roof?? is the first joint production of the Office for the Arts (OFA), the Harvard-Radcliffe Dramatic Club (HRDC) and the A.R.T. Institute. The last of Williams’ apprentice plays, “Stairs” tells the story of a factory worker in the 1930s who breaks away from his mechanical life and embarks on a fantastic adventure...

Author: By Anita B. Hofschneider, CRIMSON STAFF WRITER | Title: 'Stairs' Leads Collaborative Effort | 2/2/2010 | See Source »

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