Word: roofed
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Dates: during 1960-1969
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FIDDLER ON THE ROOF strays a world away from Broadway to capture the happiness and the hurt, the folkish airs and graces of a small Jewish community in a Russian town in 1905. Zero Mostel, an intuitive and masterly recorder of the mind's merriment and the soul's grief, gives this musical an unfaltering heartbeat. A male wedding dance with empty wine bottles perched in men's hats is a tingling high spot...
...local critics were not deaf at last week's Boston opening, either. Elinor Hughes (Herald) found the number "just great." Kevin Kelly (Globe) cited Price's "vivid performance" and said he "sings with enough power and feeling to bring the roof down, and he does." Alta Maloney (Traveler) called it "a whopper of a show-stopper, sung in a voice that made chills go up and down the spine." T.K. Morse (Patriot Ledger) found him "glorious." Bradford Swan (Providence Journal) said Price sang "superbly," and Donald Cragin (Worcester Telegram) felt he performed "with the verve of one who has practiced...
...epicene, and need a supercilious, tuxedo-skinned British barman to insult and be insulted by. The two sons present would like the two fathers present to drop dead. When the girls express their contempt by simultaneously breaking wind and then pelt the place with tennis balls, plaster spills, roof beams totter, and it becomes clear that Kopit is one of the cosmic jokesmiths who want playgoers to read books of revelation between the wisecracks. What Tennis may portend is that self-contained worlds, either private clubs or entire civilizations, invite and perhaps deserve destruction. Nevertheless, the play is more like...
...Orchestra. The movie collage Breathdeath offered a drawn foot coming out of Richard Nixon's mouth. In French Playwright Eugene lonesco's one-acter, Bedlam Galore, for Two or More, "She" and "He" quarreled, and quarreled some more, while a civil war went on outside and the roof and walls caved in to illustrate lonesco's philosophy that life is absurd. Electrically powered kinetic sculpture by Len Lye and Nicolas Schoeffer moved, twisted, roared and thumped at the Albright-Knox Art Gallery. All this and more galore was part of the two-week Buffalo Festival...
...compassion in one brief shot of snails inching across the dead girl's leg. In another agonizing sequence, the lady of the manor haltingly discusses her frigidity and her husband's unusual demands with an acquisitive young priest who prefers to talk about repairs for the church roof. "1 can only stress that for you there must be no pleasure," he offers distractedly...