Word: roofing
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Sloan was, as Willem de Kooning would say of himself many years later, a slipping glimpser, with a strong sense of the fleeting moment in which people are caught unawares--arguments on the fire escape, a woman pegging out the wash, lovers furtively embracing on the tenement roof. And though his vision was less flamboyant than Henri's or Bellows', he clearly had a deep effect on younger painters like Reginald Marsh and Hopper. His moments of voyeuristic detachment were amplified in Hopper's glimpses of disconnected urban souls seen through windows. One wants to see more of Sloan; when...
...wreck the roof, cut the room into three pieces, just leaving a small part of it, it seems pretty irreversible to me," Forbes said...
...chic Barneys boutique. His epiphany was outside the store, not inside. Instead of Bentley Turbos, Mercedes S-class sedans and the usual Porsches and Lamborghinis, so boring, there was a Lost Safari of Land Rovers, Ford Explorers, Grand Cherokees and GMC Suburbans, all tricked out with steel brush guards, roof racks, off-roading spare-wheel mounts, and black-leather car bras to ward off gravel and grasshoppers on the Paris-Dakar run. Cedergren flashed his perception to his clients: "Cars are now history. The future belongs to trucks...
...grown tedious and indistinguishable. A Lexus or a BMW or a Mercedes said, "I've got mine, and I'm rich." A Volkswagen Golf or Ford Escort said nothing whatsoever. Did we need talking cars? Apparently: a Jeep with a mountain bike or kayak rack bolted to the roof said, "I'm doing the Ironman next month." You have to drive something, and if your $299-a-month lease can get you a Ford Explorer and a largely painless reputation for living on the edge...
Examples abound in the Pearl series. The easy virtuosity of Pauline Alpert's Rain on the Roof, with its cascading arpeggios and delicate filigree work, matches the best that classical contemporaries like Josef Hofmann or Josef Lhevinne had to offer. Her performance of Gershwin's Fascinatin' Rhythm out-Gershwins the great man himself. Confrey's rhythmically tricky 1921 showpiece, Kitten on the Keys, is novelty's signature tune, but his Humorestless, a clever musical pun on both Dvorak's Humoresque and Stephen Foster's Old Folks at Home, is equally typical of his exuberant style. Most ambitious...