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...instincts are right. At the next intersection, the Marines duck into a house. Suddenly a machine gun lets rip, spewing bullets around them. "Where's it coming from?" a Marine yells. Immediately, shooting opens up from a second direction. Jones gets his men to the roof to repel the two-sided attack. "Rocket!" screams a grunt, unleashing an AT4 rocket at one of the insurgent positions. Men reel from the blast's concussion. The shooting from the east stops. But as Jones peers over a cement wall to locate the second ambush position, a 7.62-mm round whizzes by. "Whoa...

Author: /time Magazine | Title: The Most Dangerous Place | 5/21/2006 | See Source »

...insurgent fires a rocket-propelled grenade that slams a wall along the narrow mouth of a sandbagged gun pit. Shards of hot metal penetrate the opening, hitting Corporal Jonathan Wilson. Blood pours down his neck. "Corpsman up, corpsman up," he cries--asking for a medic to head to the roof. He runs downstairs and collapses into the arms of a sergeant...

Author: /time Magazine | Title: The Most Dangerous Place | 5/21/2006 | See Source »

...assumes a God-like status. I recall how big a deal it was for my orthopedic surgeon, Major Gregory Hill, to spend a few minutes going over my prognosis. But the documentary shows the specialists as anxious, overworked and bored as any grunt. One night they repair to the roof of the hospital to smoke cigars and look over the rooftops of Baghdad, spotting explosions a few miles away. "We just see the consequences," says one doctor. Another says, "There's one with your name written all over...

Author: /time Magazine | Title: Saving Countless Private Ryans | 5/20/2006 | See Source »

...history of Aboriginal art. Peltier suspects Europeans will be surprised by the scale of the work in and around the building, but as Perkins points out, it takes the art back to its genesis: "Where do bark paintings start? Inside bark shelters, inside houses. They were painted on the roof. Rock art. This idea of working on that scale with that kind of prominence is not a new thing." While the Aboriginal concept of the Dreaming "forces one to think differently, and in a less linear way, about the relationship between creativity and form in art," as anthropologist Howard Morphy...

Author: /time Magazine | Title: A Parisian Romance | 5/15/2006 | See Source »

...With this growing presence comes perhaps Aboriginal art's greatest gift to the world. As with the stars on Gulumbu Yunupingu's ceiling, it is no longer a sign of exotic otherness, but something that can unite everyone under the one roof. "Sometimes we make a fire," says Yunupingu. "We sit around the fire and look up into the sky. Big ones, small ones, little ones-faraway, close. Yolngu, everybody around the world loves to see them." In Paris, they're sparkling...

Author: /time Magazine | Title: A Parisian Romance | 5/15/2006 | See Source »

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