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Word: room (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Center, Lieut. General William R. Peers, who has been assigned to find out whether the Army originally whitewashed the affair, quizzed some of the key figures. Lieut. William Galley, charged with the murder of 109 civilians, testified for four hours, then stonily ignored questions from reporters outside the hearing room. Peers' panel also called Colonel Oran K. Henderson, commander of the brigade in which the accused C Company operated in March of 1968, and Warrant Officer Hugh Thompson Jr., a helicopter pilot who first complained about the killing of civilians in the tragic affair. Both also refused to talk...

Author: /time Magazine | Title: Nation: PROBING THE MASSACRE PROBE | 12/12/1969 | See Source »

...television set at the Beta Theta Pi fraternity house. His birthday-Sept. 14-had come up No. 1 in the national draft lottery. Harvard Senior Nat Spiller, too nervous to watch the drawing on TV, was playing pingpong in an attempt to calm himself. Returning to his room when the selection was well under way, he looked at a list his roommates had been keeping and slumped into a chair. His birthday had come up fourth. Across the country in California, Stanford University Sophomore Tyler Comann stared at his roommate, Charles Thulin, in disbelief. Against all the odds, his birthday...

Author: /time Magazine | Title: The Draft: The Luck of the Draw | 12/12/1969 | See Source »

With a dirty rag stuffed in her mouth to stifle her screams, Mrs. Tsirka testified, she was given some 21 blows. Then she was pushed downstairs to a filthy basement cell. There was barely room to breathe. Holding up the palms of her hands, she described the cell as "eleven palms long and nine palms wide...

Author: /time Magazine | Title: World: Friendly Chats on Bouboulinas Street | 12/12/1969 | See Source »

...abstract imagery of geometric shapes and drips of paint in most of the works at the museum frees the art from connotations of material aspects of culture. The monumental size of the paintings gives them inescapable presence. Once in the room, the viewer cannot change the channel-he must look. The power of an undiluted red surface with stripes of white on each end by Barnett Newman stretches beyond the viewer's field of vision if he stands close. To see the whole he must stand back. By their sheer size the paintings scream for recognition, protesting the decreasing space...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

...openness of these canvases is clearly contrasted by a room of odd little boxes by Joseph Cornell. He places Victorian mantelpiece objects., medicine bottles, and birds behind glass or a wire, closing them into a three dimensional space, like a tomb. These boxes seem to be the only attempt to frame three dimensional space in the context of the flat vision of the new American painting, but even this sort of ? D picture is lifeless compared to the original space of the abstract works...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

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