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...decided contrast to this shadowy room is the location of the bulk of the story’s chapters, in which the aforementioned pair of men reappear as Richard Elster, a former scholar employed by the military to “conceptualize,” and Jimmy Finley, the young filmmaker who wishes to record Elster’s account of his experience in one, long take. After initial resistance to the idea, Elster invites Jimmy to stay with him in the vast remoteness of a Western desert—“Not a long visit, he?...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: 'Point Omega' Explores Complexity and Consciousness | 2/23/2010 | See Source »

Granting official recognition to Annen-burglary will also help Annenberg keep sanitary conditions up, given that a chief concern of HUDS is that food taken back to the room will go bad. To address this problem, Annenberg should support the EAT program by offering to wash and clean the containers...

Author: By Matthew S. Chuchul | Title: Legalize Annen-burglary | 2/23/2010 | See Source »

...intimacy tend toward the pedantic. Midway through the play’s intermission, Stark emerges from backstage and begins to toy with the hanging sculpture. Her inviting looks and teasing air seem to beckon viewers to play along. Some audience members joined in, but the rest of the room froze. It’s one thing to slip into Laura’s world, another to be dragged...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Menagerie’ Shines Despite Added Sap | 2/23/2010 | See Source »

...Still Water (The River Thames, for Example),” the architectural space best enhances Horn’s work. Fifteen close-up color photographs of water encircle the room, and the ICA supplies a sixteenth image with its floor to ceiling view of the harbor. While this could be construed as distracting in some cases, this intrusion of the gallery space prods the viewer to notice the work’s dualities of motion and stillness, change and permanence, and similarity and difference in relation to the Boston Harbor...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Horn Explores Perspective in ICA Exhibit | 2/23/2010 | See Source »

...work has traces of the movement—seriality, utilitarian materials, and austere simplicity and beauty. Perhaps some of the most Minimalist pieces in the exhibit, collectively called “White Dickinson,” six bars of cast aluminum and white plastic stand propped in a room evenly spaced from each other. Despite the solidity of the bars, this propping invokes fragility and impermanence, producing an enigma...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Horn Explores Perspective in ICA Exhibit | 2/23/2010 | See Source »

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