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Word: roome (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Glass and limestone facing were used extensively in the planning to avoid giving the buildings "the appearance of large chunks of brick," according to Shepley, Bullfinch, Richardson and Abbott, the architects. The living room of each suite will have a broad floor-to-ceiling heavy glass window, and inside walls of rough pumice-stone...

Author: By Alan H. Grossman, | Title: Leverett's 'Twin Towers' Will Open in Fall of 1960 | 11/26/1958 | See Source »

...future conversion of "doubling-up" is precluded by low ceiling heights, which rule out the possibility of installing bunk beds. Conway said that the room arrangements should "ease the problem of living out, since they "provide a miximum of privacy" and "get rid of the noisy entries...

Author: By Alan H. Grossman, | Title: Leverett's 'Twin Towers' Will Open in Fall of 1960 | 11/26/1958 | See Source »

...Leverett Dining Hall will remain in McKinlock, but extensive alteration of it will begin this summer. The remodeling will not be completed before Thanks-giving of next year, which means that residents of the House will eat in the Quincy dining room next fall, Conway added...

Author: By Alan H. Grossman, | Title: Leverett's 'Twin Towers' Will Open in Fall of 1960 | 11/26/1958 | See Source »

...tutorial." But "mixed tutorial" should be added as a third important objective by both large and small departments and by the Houses. With these objectives in mind, the problem of non-resident tutor offices becomes clearer. Perhaps these tutors will be given space at Radcliffe, perhaps in a vacant room left in a House after deconversion. It doesn't really matter. Radcliffe has had to walk to the Houses for tutorial in the past and won't mind continuing to do so, and Harvard students have gone to Radcliffe for tutorial as well. Harvard and Radcliffe may never be "integrated...

Author: NO WRITER ATTRIBUTED | Title: Open House | 11/25/1958 | See Source »

...woman offers the boots of her dead grandson to Helga, thinking she has deserted the Germans of her own will, and Kautner elicits a dramatic poignancy that is almost unbearable. In just the last few frames of one sequence a kitten appears to follow Helga out of the room, and by his cinematic control the director turns the kitten into a pure manifesation of the faltering yet beautiful spirit of the girl. And the symbol of the bridges itself is handled superbly. The first bridge is love, the rapport of one individual with another; the rest are humanitarian honor...

Author: By David M. Farquhar, | Title: The Last Bridge | 11/25/1958 | See Source »

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